Spirited, thought-provoking and popping with fresh perspectives.
Steve Dollar
Wall Street Journal
[Film After Film] does what Hoberman does best: use movies and movie culture as prism for understanding political events-and vice versa.
Jose Teodoro
Film Comment
Crisply written ... offers many interesting insights ... it will afford knowledgeable general readers and film buffs ... Read moremuch to savor.
Library Journal
Hoberman is tremendously insightful as he integrates his concerns with cinema's political, historical, and aesthetic past and his visions of its future. For cinephiles of any stripe, it's a rare book. He soundly articulates the ideological transformations, digital facelifts, and aesthetic insurrections that have tugged at cinema since the turn of the millennium-ones that have made the medium seem simultaneously stagnant and livelier than ever.
John Semley
AV Club
A brilliant, patchwork statement about the future of the cinema-spoiler alert: there is a future-in the face of reports of its imminent demise ... Hoberman's book is a broadly accessible errand in the articulation of how we might imagine digital cinema to reflect twenty-first century culture.
LA Review of Books
Always a witty and engaging writer, Hoberman has one of the most recognizable voices in contemporary film writing.
Cinespect
Put simply, nobody writes about the connection between movies and culture better than Hoberman, and Film After Film is a reminder of that fact.
City Beat
Elegiac and anxious, critical and poetic, Film After Film surveys the current seismic shifts in movies and considers their effect on the cinematic imagination ... [Hoberman's] prose shines without qualification, and the selections remind us that his tenure at the Voice was, simply put, one of the greatest ever by an American film critic, influencing as it did an entire generation of writers.
Bookforum
Hoberman wittily traces the interlocking of political reality and moviemaking fantasies, to often disturbing effect.
Financial Times
Nobody in America writes as well about culture and film as J. Hoberman.
Peter Biskind, author of Down and Dirty Pictures Film After Film is both a concise history book and one of the best viewing guides available.
Indiewire
One could go so far as to say that these days Hoberman's a thinker akin to Bazin in his influence.
Capital New York
One could go so far as to say that these days Hoberman's a thinker akin to Bazin in his influence, through his frequent reviews, books, and as an occasional guest curator.
Capital New York
A dense, fascinating assemblage that ... encapsulates a decade of film and politics ... by turns jocular and brilliantly reflective.
Cineaste
Cogent and compelling
Cerise Press
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