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The Image of the Black in Western Art: Volume I: From the Pharaohs to the Fall of the Roman Empire: New Edition
David Bindman
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Description for The Image of the Black in Western Art: Volume I: From the Pharaohs to the Fall of the Roman Empire: New Edition
Hardback. Offers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists. Editor(s): Bindman, David; Gates, Henry Louis, Jr. Num Pages: 416 pages, 345 color illustrations, 50 halftones, 5 maps. BIC Classification: AC; JFSL3. Category: (G) General (US: Trade). Dimension: 260 x 291 x 31. Weight in Grams: 2224.
In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector’s items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones.
The new edition of From the Pharaohs to the Fall of the Roman Empire offers a comprehensive look at the fascinating and controversial subject of the ... Read morerepresentation of black people in the ancient world. Classic essays by distinguished scholars are aptly contextualized by Jeremy Tanner’s new introduction, which guides the reader through enormous changes in the field in the wake of the “Black Athena” story.
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Product Details
Publisher
Harvard University Press
Place of Publication
Cambridge, Mass., United States
Shipping Time
Usually ships in 7 to 11 working days
About David Bindman
David Bindman is Professor of the History of Art, Emeritus, at University College London. Henry Louis Gates, Jr., is the author of numerous books and has written extensively on the history of race and anti-Black racism in the Enlightenment. His most recent works include Stony the Road and The Black Church. He is the Alphonse Fletcher University Professor and Director ... Read moreof the Hutchins Center for African and African American Research at Harvard University. Frank M. Snowden, Jr., was Professor of Classics, Emeritus, at Howard University. Show Less
Reviews for The Image of the Black in Western Art: Volume I: From the Pharaohs to the Fall of the Roman Empire: New Edition
A fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes.
Kwame Anthony Appiah In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling ... Read morevolumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers.
Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness One of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages.
Kirkus Reviews
The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity.
William Feaver
Spectator
A sumptuous new edition with much additional material and copious color pictures....The books are a wonderful resource: a glitteringly decorated window into the Du Bois Institute's unrivalled archive of relevant images. The accompanying essays, which are models of erudition, are inescapable reading for anyone interested in the subject.
Felipe Fernández-Armesto
The Art Newspaper
In his fresh introduction for volume 1, Jeremy Tanner, Greek and Roman art/archaeology specialist, recontextualizes the text and images in the original volume of this work in light of the explosion of scholarship examining the notions of race and identity as constructed historically and in the present. Tanner's well-researched, critical essay offers a rich bibliography of the literature on the subject of race and representation in ancient art...The high-quality color images that have replaced black-and-white images, and the more richly textured black-and-white images, all printed on good quality art stock paper, help to reinforce arguments where color symbolism is deemed critically important.
K. Mason
Choice
Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization.
Miranda Kaufmann
Times Literary Supplement
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