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The Experience of Modern Sculpture: A Guide to Enjoying Works of the Past 100 Years
Philip F. Palmedo
€ 53.99
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Description for The Experience of Modern Sculpture: A Guide to Enjoying Works of the Past 100 Years
Hardcover. Num Pages: 176 pages, 156 colour & b/w photos. BIC Classification: ACX; AFKB. Category: (G) General (US: Trade). Dimension: 242 x 314 x 24. Weight in Grams: 1534.
Engagingly written and colorfully illustrated, The Experience of Modern Sculpture leads us to understand, and take pleasure in, the sculpture of the 20th and 21st centuries. It helps us see the different facets of modernism: the evolution of the figure, abstraction, land art, the new materials used in sculpture, and more. It shows us how modern sculpture has fascinating links to ancient art, to science, and to the world around us. Using more than 100 examples by artists ranging from Picasso and Giacometti to Oldenburg, Hesse, and Serra, the guide focuses on how these pieces of art communicate. This new ... Read more
Engagingly written and colorfully illustrated, The Experience of Modern Sculpture leads us to understand, and take pleasure in, the sculpture of the 20th and 21st centuries. It helps us see the different facets of modernism: the evolution of the figure, abstraction, land art, the new materials used in sculpture, and more. It shows us how modern sculpture has fascinating links to ancient art, to science, and to the world around us. Using more than 100 examples by artists ranging from Picasso and Giacometti to Oldenburg, Hesse, and Serra, the guide focuses on how these pieces of art communicate. This new ... Read more
Product Details
Publisher
Schiffer Publishing Ltd
Format
Hardback
Publication date
2015
Condition
New
Weight
1533g
Number of Pages
176
Place of Publication
Atglen, United States
ISBN
9780764349041
SKU
V9780764349041
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-2
About Philip F. Palmedo
Philip F. Palmedos writings on art include articles, essays, monographs, and several books on modern sculpture. He studied art history at Williams College and holds a PhD degree from MIT, where he serves on the Council for the Arts.
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