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Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics
David Bindman
€ 50.33
€ 40.15
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Description for Warm Flesh, Cold Marble: Canova, Thorvaldsen, and Their Critics
Hardback. Focusing on the aesthetic concerns of the two most important sculptors of the early 19th century, the Italian sculptor Antonio Canova (1757-1822) and his Danish rival Bertel Thorvaldsen (1770-1844), this book considers: the aesthetic autonomy of works of art, the gender of the subject, and the efficacy of marble as an imitative medium. Num Pages: 192 pages, 30 colour images + 30 black-&-white illustrations. BIC Classification: ACV; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 242 x 164 x 21. Weight in Grams: 742.
This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757–1822) and his illustrious Danish rival Bertel Thorvaldsen (1770–1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors’ own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating ... Read more
This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757–1822) and his illustrious Danish rival Bertel Thorvaldsen (1770–1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors’ own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating ... Read more
Product Details
Format
Hardback
Publication date
2014
Publisher
Yale University Press
Condition
New
Number of Pages
220
Place of Publication
, United States
ISBN
9780300197891
SKU
V9780300197891
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-35
About David Bindman
David Bindman is Emeritus Durning-Lawrence Professor of the History of Art, University College London, and visiting professor, history of art, Harvard University.
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