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Ginger Cheng-Chi Hsu - Bushel of Pearls - 9780804732529 - V9780804732529
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Bushel of Pearls

€ 95.67
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Description for Bushel of Pearls Hardback. This book studies 18th-century Yangchow paintings as artistic products shaped by collective social and cultural experiences, and by constant exchanges between the artists and their audience. Num Pages: 336 pages, Illustrations. BIC Classification: 1FPC; 3JH; ACV; AFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 25. Weight in Grams: 576.

Painting in eighteenth-century Yangchow, a city that dominated the political and economic scene of mid-Qing China, has traditionally been viewed as the product of a group of nonconformist, “eccentric” artists who were supported by wealthy merchants.

This book, however, does not focus on the creative energy of the individual artist, the rise of the Yangchow school of painting, or patronage narrowly defined. Rather, it studies eighteenth-century Yangchow paintings as artistic products shaped by collective social and cultural experiences, and by constant exchanges between the artists and their audience. The author examines the paintings as commodities, revealing the mechanism of their exchange and the values negotiated, and she interprets the paintings in a framework that moves beyond economics into the social, political, historical, and literary contexts of their creation and appreciation.

The book begins by considering merchant patrons long associated with the Yangchow school of painting, and goes on to reveal that there were patrons from lower socioeconomic levels who were, in fact, perhaps the major consumers of Yangchow painting. The author then discusses four artists who exemplify the diversity of backgrounds and artistic traditions of Yangchow painters and patrons.

Fang Shih-shu represents the traditional scholar painter of conservative orthodox landscapes. Huang Shen, by contrast, represents painters with craftsman backgrounds who mingle the values of the literati with the technical skill of artisans. The last two painters, Cheng Hsieh and Chin Nung, represent the emergence of new types of artists who adopted painting as an occupation and commercialized both their artistic products and their personal cultural refinement and literati status.

By reconstructing the economic lives of these artists, examining their social roles, identifying their networks of patronage, and investigating their aesthetic choices, this book illuminates the process of professionalization of the scholar-artist and the commodification of literati culture in late imperial China.

Product Details

Format
Hardback
Publication date
2001
Publisher
Stanford University Press United States
Number of pages
336
Condition
New
Number of Pages
336
Place of Publication
Palo Alto, United States
ISBN
9780804732529
SKU
V9780804732529
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15

About Ginger Cheng-Chi Hsu
Ginger Cheng-chi Hsü is Associate Professor of Art History at the University of California, Riverside.

Reviews for Bushel of Pearls
"Early Western scholarship on Chinese paintings was at one time (metaphorically) placed in a hermetically sealed box containing the artist and his or (rarely) her works. Connoisseurship was usually the primary concern. . . . However, there was a large context of the places, people, society, and function of the painitings, especially in later times, yet this context has been probed in increasing depth only int he last decade or so. Hsü offers her book as an excellent example of this and has aptly chosen to focus on the city of Yangchow and its painters in the 28th century. At that time, Yangchow was an exceedignly wealthy city of connerce to the point of vulgar excess. Painters served, even pandered to, a rich clientele. Hsü uses fourn painters as 'case studies,' and gets a full chapter. They are apt choices as they represent the gamut of artistic responses to the social environment. The paintings, like Yangchow, are rich and varied potpourri, and they are well served here. General readers; undergraduates through faculty."—Choice "In short, Ginger Hsü"s book competently introduces an important topic in Chinese art history and is part of a larger trend in the disciplines of history and art history that seeks, with mixed success on both sides of the disciplinary divide, to place art in its social and economic context."—Harvard Journal of Asiatic Studies

Goodreads reviews for Bushel of Pearls


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