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Critical Readings in Impressionism and Post-Impressionism: An Anthology
Lewis
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Description for Critical Readings in Impressionism and Post-Impressionism: An Anthology
Paperback. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Editor(s): Lewis, Mary Tompkins. Num Pages: 358 pages, 8 color illustrations, 125 black / white photographs. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational. Dimension: 234 x 187 x 23. Weight in Grams: 766. An Anthology. 358 pages, Illustrations (some col.). Editor(s): Lewis, Mary Tompkins. Includes essays that capture the theoretical range and scholarly rigor of the criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. This title offers fascinating perspectives, placing the artworks from this period in wider social and historical contexts. Cateogry: (P) Professional & Vocational. BIC Classification: ACVT; AFC. Dimension: 234 x 187 x 23. Weight: 868.
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial ... Read more
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial ... Read more
Product Details
Publisher
University of California Press
Number of pages
358
Format
Paperback
Publication date
2007
Condition
New
Number of Pages
368
Place of Publication
Berkerley, United States
ISBN
9780520250222
SKU
V9780520250222
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Lewis
Mary Tompkins Lewis is Visiting Associate Professor in the Department of Fine Arts at Trinity College, Hartford. She is the author of Cezanne's Early Imagery (UC Press) and Cezanne.
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