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Sacred Mirrors
Alexander Grey
€ 44.99
€ 29.66
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Description for Sacred Mirrors
Hardcover. Alex Grey sees in the human anatomy a microcosm of the many levels of order in nature. His paintings in Sacred Mirrors take the viewer on an extraordinary visionary journey through the physical, metaphysical, and spiritual anatomy of the self. Num Pages: 96 pages, 50 color plates. BIC Classification: ACX; AFC; AGB. Category: (G) General (US: Trade). Dimension: 352 x 276 x 12. Weight in Grams: 1112.
This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as Universal Mind Lattice, envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy. Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.
This unique series of paintings takes the viewer on a graphic, visionary journey through the physical, metaphysical, and spiritual anatomy of the self. From anatomically correct rendering of the body systems, Grey moves to the spiritual/energetic systems with such images as Universal Mind Lattice, envisioning the sacred and esoteric symbolism of the body and the forces that define its living field of energy. Includes essays on the significance of Grey's work by Ken Wilber, the eminent transpersonal psychologist, and by the noted New York art critic, Carlo McCormick.
Product Details
Publisher
Inner Traditions Bear and Company United States
Number of pages
96
Format
Hardback
Publication date
1990
Condition
New
Number of Pages
96
Place of Publication
Rochester, United States
ISBN
9780892812578
SKU
V9780892812578
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-12
About Alexander Grey
Alex Grey is an artist whose work has appeared in the Stux galleries, New York and Boston; the London Regional Art Gallery, Canada; the University of California Museum of Art, Santa Barbara; the Chicago International Art Exposition; the New Museum, New York; the Grand Palais, Paris; the Sao Paulo Biennial, Brazil; and numerous other exhibitions. He is also the author of the book Transfigurations.
Reviews for Sacred Mirrors
The color plates are of exceptional quality depicting both human and spiritual forms in a variety of intriguing and thought-provoking ways.
The Midwest Book Review
The majority of Grey's recent work depict spiritual/energetic systems
the sacred and esoteric symbolism of the body and the forces that define its living field of energy.
Magical Blend, January 1992
These are extraordinary works, exquisitely reproduced. Some people will be illuminated and transformed in the process of viewing. I found them compelling.
Judi Koteen, Napra Trade Journal, Fall 1990
Reverence and beauty radiate from every page.
Jay Kinney, Gnosis, Winter 1999
Mr. Grey's paintings, as detailed and anatomically accurate as medical illustrations, present man as an archetypal being struggling toward cosmic unity
Grey's vision of a flawed but perfectible mankind stands as an antidote to the cynicism and spiritual malaise prevalent in much contemporary art.
New York Times
The Midwest Book Review
The majority of Grey's recent work depict spiritual/energetic systems
the sacred and esoteric symbolism of the body and the forces that define its living field of energy.
Magical Blend, January 1992
These are extraordinary works, exquisitely reproduced. Some people will be illuminated and transformed in the process of viewing. I found them compelling.
Judi Koteen, Napra Trade Journal, Fall 1990
Reverence and beauty radiate from every page.
Jay Kinney, Gnosis, Winter 1999
Mr. Grey's paintings, as detailed and anatomically accurate as medical illustrations, present man as an archetypal being struggling toward cosmic unity
Grey's vision of a flawed but perfectible mankind stands as an antidote to the cynicism and spiritual malaise prevalent in much contemporary art.
New York Times