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Breathless Days, 1959-1960
Serge Guilbaut
€ 113.28
FREE Delivery in Ireland
Description for Breathless Days, 1959-1960
Hardback. Providing heterogeneous accounts of the intersections between the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba between 1959 and 1960, the contributors show this period to be pivotal in the culture and politics of Western Europe and the Americas. Editor(s): Guilbaut, Serge; O'Brian, John. Num Pages: 352 pages, 67 illustrations. BIC Classification: 1D; 1K; 3JJPG; ACXD; APFA; HBTB; HBTW. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 23. Weight in Grams: 590.
Taking 1959–1960 as a pivotal cultural and political moment, the contributors to Breathless Days reframe postwar Western art history, examining the aesthetic and ideological alliances and tensions in art throughout Western Europe and the Americas. The collection provides a heterogeneous account of the intersections of the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba. This reveals the knotty and multilayered connections among these divergent artistic milieus. Whether discussing Duchamp’s With My Tongue in My Cheek, Brazilian abstraction, postrevolutionary Cuban art, Jean Tinguely’s self-destroying machines, or Burroughs’s Naked Lunch, the contributors show ... Read more
Taking 1959–1960 as a pivotal cultural and political moment, the contributors to Breathless Days reframe postwar Western art history, examining the aesthetic and ideological alliances and tensions in art throughout Western Europe and the Americas. The collection provides a heterogeneous account of the intersections of the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba. This reveals the knotty and multilayered connections among these divergent artistic milieus. Whether discussing Duchamp’s With My Tongue in My Cheek, Brazilian abstraction, postrevolutionary Cuban art, Jean Tinguely’s self-destroying machines, or Burroughs’s Naked Lunch, the contributors show ... Read more
Product Details
Format
Hardback
Publication date
2017
Publisher
Duke University Press United States
Number of pages
352
Condition
New
Number of Pages
352
Place of Publication
North Carolina, United States
ISBN
9780822360230
SKU
V9780822360230
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Serge Guilbaut
Serge Guilbaut is Professor Emeritus of Art History at the University of British Columbia and the author and editor of several books, including How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. John O'Brian is Professor of Art History and Faculty Associate of the Peter Wall Institute for Advanced Studies at the University of ... Read more
Reviews for Breathless Days, 1959-1960
"Excellent. . . . Breathless Days should be considered essential reading for those seeking a deeper understanding of a fascinating range of works created in a turbulent period of twentieth-century history."
Anthony White
RACAR
Anthony White
RACAR