The book itself is a masterpiece; it’s not just a book about the making of a record, it’s a book about how to make art and how to think about how to make art.
Amanda Palmer Eno’s use of collaboration, chance, and cybernetics to force creativity makes for a fascinating story....Eno himself apparently loved the book, buying copies for friends. This isn’t surprising– an interest in process has been a constant of his work for four decades.
Pitchfork
The prose is elegant, the sheer scope of the work impressive, and the meditation on the source of creativity is both well done and light-handed.
Flavorpill
As a study of Another Green World it’s impressively holistic, hungry to catalogue every possible point of departure for thinking about the record … the best short introduction to Eno’s work and ethos going.
The Wire
It’s as much a philosophy book as a “Behind the Music” breakdown, and an invitation to think creatively about creativity.
The Millions
Dayal’s unique and fresh take, which also delves into Discreet Music, is a must read for Eno fans and makes a great primer for the uninitiated.
Flagpole
Dayal's lucid, elegant deconstruction of Brian Eno's most beguiling album is also an inspiring, delightful inquiry into the nature of creativity and constraint. Anyone interested in art making needs to read this.
Ed Park, author of Personal Days
...the best short introduction to Eno's work and ethos going.
The Wire, February 2010
Selected by Flavorwire as one of "10 Great Books about Music by Female Writers"
http://flavorwire.com/features/staff-lists/7967-words-and-music-our-60-favorite-music-books/3/
Geeta Dayal opens her book on Another Green World by admitting that she had trouble writing it … Finally, she decided to let Brian Eno’s set of Oblique Strategies cards direct and inspire her work. It’s an apt move, as Eno often foregrounds the creative process himself, and it results in a probing and thoughtful book that never falls into formula. Instead, Dayal portrays her subject as a deft artist embracing studio technology and balancing his past accomplishments with all the endless possibilities of the future.
Stephen M. Deusner
Pitchfork