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Cezanne and the End of Impressionism
Richard Shiff
€ 52.99
€ 40.83
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Description for Cezanne and the End of Impressionism
Paperback. Num Pages: 334 pages, 1 colour plate, 57 halftones. BIC Classification: ACVT; AFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 170 x 18. Weight in Grams: 596.
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as ... Read more
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as ... Read more
Product Details
Format
Paperback
Publication date
1986
Publisher
The University of Chicago Press United States
Number of pages
334
Condition
New
Number of Pages
336
Place of Publication
, United States
ISBN
9780226753065
SKU
V9780226753065
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
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