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Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field
D. Thornley
€ 66.06
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Description for Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field
Hardback. Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others. Num Pages: 144 pages, 12 figures. BIC Classification: APF; APFA; JH. Category: (P) Professional & Vocational. Dimension: 225 x 170 x 17. Weight in Grams: 330.
Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others.
Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others.
Product Details
Publisher
Palgrave Macmillan
Format
Hardback
Publication date
2014
Condition
New
Weight
329g
Number of Pages
134
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137411563
SKU
V9781137411563
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About D. Thornley
Davinia Thornley is Senior Lecturer in the Media, Film, and Communication Department at the University of Otago, New Zealand. Her research has been published in a number of journals (including European Journal of Cultural Studies and Studies in Australasian Cinema) and edited collections, such as Reverse Shots: Indigenous Film and Media in an International Context.
Reviews for Cinema, Cross-Cultural Collaboration, and Criticism: Filming on an Uneven Field
"Davinia Thornley presents a detailed and logical exploration of cross-cultural filmmaking practices. Her description of 'collaborative criticism', bringing together diverse ways of knowing and working, is entirely persuasive, and her instantiation of transnational and global perspectives are of the current critical moment. This is a very fine book." - Arnold Krupat, Sarah Lawrence College, USA