Intermedial Shakespeares on European Stages
Aneta Mancewicz
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Description for Intermedial Shakespeares on European Stages
Paperback. Series: Palgrave Studies in Performance and Technology. Num Pages: 214 pages, biography. BIC Classification: AB; AN; AS. Category: (G) General (US: Trade). Dimension: 216 x 140 x 12. Weight in Grams: 280.
Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.
Intermedial Shakespeares argues that intermediality has refashioned performances of Shakespeare's plays over the last two decades in Europe. It describes ways in which text and author, time and space, actor and audience have been redefined in Shakespearean productions that incorporate digital media, and it traces transformations in practice.
Product Details
Format
Paperback
Publication date
2014
Publisher
Palgrave Macmillan United Kingdom
Number of pages
214
Condition
New
Series
Palgrave Studies in Performance and Technology
Number of Pages
202
Place of Publication
Basingstoke, United Kingdom
ISBN
9781349471805
SKU
V9781349471805
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Aneta Mancewicz
Aneta Mancewicz is Lecturer in Drama at the Kingston University, UK. She was Marie Curie Research Fellow at the Royal Central School of Speech and Drama. She is the Editor for Europe at the Global Shakespeares Video and Performance Archive, Massachusetts Institute of Technology, USA and co-convener of the Intermediality working group of the International Federation for Theatre Research.
Reviews for Intermedial Shakespeares on European Stages
In Intermedial Shakespeare on European Stages , Aneta Mancewicz sets contemporary Shakespeare performance at the center of an emerging, "intermedial" critique of theatrical production. Rather than understanding the stage as a secondary medium for the replication of dramatic writing, Mancewicz sees contemporary Shakespeare to stage an inter-exchange between textual, live-acting, and recorded media of performance. Shakespearean drama, here, is not ... Read more