
Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century
Atay Et Al Citron
Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline.
Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences.
Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, Performance Studies in Motion showcases the vitality and breadth of the field today.
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Reviews for Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century
Deborah Newton
New Theatre Quarterly
As well as providing a platform for practitioners and scholars working at the bleeding edge of performance, adapting theory to real world contexts and reflecting on issues raised by practice, the editors have collated truly international perspectives.
Platform
Performance Studies in Motion offers a heterogeneous ensemble of case studies of performances in their concrete contexts ... The question of the normative, dark, even dangerous dimensions of performance that the anthology raises are certainly a challenge for the generally rather optimistic stance of ‘Schechnerian’ PS. It is from here that exciting impulses for the next moves of Performance Studies promise to come.
Vivien Aehlig, Freie Universitat, Berlin
Theater Forschung
Performance Studies in Motion marks an increasing diversification of cultural representation and frameworks for analysis in publications about performance studies. This makes it an invaluable resource.
TDR: The Drama Review