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Drawing on Art: Duchamp and Company
Dalia Judovitz
€ 26.99
€ 25.44
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Description for Drawing on Art: Duchamp and Company
Paperback. Num Pages: 288 pages, 48 b&w illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 216 x 140 x 19. Weight in Grams: 435.
Marcel Duchamp’s 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp’s work—and in Dada and Surrealist art more broadly—to show how the concept of art itself became the critical fuel and springboard for questioning art’s fundamental premises. Judovitz argues that rather than simply negating art, Duchamp’s readymades and later works, including films ... Read more
Marcel Duchamp’s 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp’s work—and in Dada and Surrealist art more broadly—to show how the concept of art itself became the critical fuel and springboard for questioning art’s fundamental premises. Judovitz argues that rather than simply negating art, Duchamp’s readymades and later works, including films ... Read more
Product Details
Format
Paperback
Publication date
2010
Publisher
University of Minnesota Press United States
Number of pages
288
Condition
New
Number of Pages
288
Place of Publication
Minnesota, United States
ISBN
9780816665303
SKU
V9780816665303
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Dalia Judovitz
Dalia Judovitz is National Endowment for the Humanities Professor of French at Emory University. She is the author of Unpacking Duchamp: Art in Transit, Subjectivity and Representation in Descartes: The Origins of Modernity, and The Culture of the Body: Genealogies of Modernity.
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