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Expressive Intersections in Brahms
Peter H. Smith
€ 47.61
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Description for Expressive Intersections in Brahms
Hardcover. Shows how Brahms organized musical elements for expressive purposes Editor(s): Smith, Peter H.; Platt, Heather A. Series: Musical Meaning & Interpretation. Num Pages: 316 pages, 93 music exx., 1 b&w illus. BIC Classification: AVGC5; AVH. Category: (P) Professional & Vocational. Dimension: 160 x 237 x 30. Weight in Grams: 636.
Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness ... Read more
Show LessProduct Details
Format
Hardback
Publication date
2012
Publisher
Indiana University Press United States
Number of pages
336
Condition
New
Series
Musical Meaning & Interpretation
Number of Pages
316
Place of Publication
Bloomington, IN, United States
ISBN
9780253357052
SKU
V9780253357052
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Peter H. Smith
Peter H. Smith is Professor of Music at the University of Notre Dame and author of Expressive Forms in Brahms's Instrumental Music (IUP, 2005). Heather Platt is Professor of Music History at Ball State University and author of Johannes Brahms: A Research and Information Guide (2nd edition, 2011).
Reviews for Expressive Intersections in Brahms
Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis. Because the analyses are so engaged with expressivity, performers too, will likely find many of them enlightening and perhaps critical in helping to hone their interpretations.
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