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Film as Art, 50th Anniversary Printing
Rudolf Arnheim
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Description for Film as Art, 50th Anniversary Printing
Paperback. Focuses on the way art in film was derived from that medium's early limitations: no sound, no color, no three-dimensional depth. Num Pages: 230 pages, 2 diagrams. BIC Classification: APF. Category: (G) General (US: Trade). Dimension: 184 x 121 x 17. Weight in Grams: 246.
In the fall of 1957 the University of California Press expanded Arnheim's 1933 book "Film" by four essays and brought that landmark work back into print as "Film as Art". Now nearly fifty years after that re-edition, this book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium's early limitations: no sound, no color, and no three-dimensional depth.
In the fall of 1957 the University of California Press expanded Arnheim's 1933 book "Film" by four essays and brought that landmark work back into print as "Film as Art". Now nearly fifty years after that re-edition, this book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium's early limitations: no sound, no color, and no three-dimensional depth.
Product Details
Publisher
University of California Press United States
Number of pages
230
Format
Paperback
Publication date
2006
Condition
New
Weight
246g
Number of Pages
238
Place of Publication
Berkerley, United States
ISBN
9780520248373
SKU
V9780520248373
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Rudolf Arnheim
Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. His books include Visual Thinking (California, 1969, 2004) and Art and Visual Perception (California, 1954, 1974, 2004).
Reviews for Film as Art, 50th Anniversary Printing
"More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent ... Read more