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Judith Collins - Eduardo Paolozzi - 9781848221314 - V9781848221314
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Eduardo Paolozzi

€ 62.88
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Description for Eduardo Paolozzi Hardback. Artist Eduardo Paolozzi (1924-2005) was a unique cultural figure. His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This highly illustrated and visually exciting book provides the first comprehensive overview of the career of a major. Num Pages: 304 pages, Includes 180 colour and 80 b&w illustrations. BIC Classification: ACX; AGB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 258 x 299 x 29. Weight in Grams: 1968.
Artist Eduardo Paolozzi (1924-2005) was a unique cultural figure. His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This highly illustrated and visually exciting book provides the first comprehensive overview of the career of a major, prolific and complex artist, exploring Paolozzi's work from all periods and across all media: collage, sculpture, printmaking, ceramics, tapestry and film.

An Italian Scot, Paolozzi studied first at Edinburgh College of Art, before moving on to the Ruskin Drawing School and the Slade. He was a founding member of the ... Read more

Product Details

Publisher
Lund Humphries Publishers Ltd
Format
Hardback
Publication date
2014
Condition
New
Number of Pages
304
Place of Publication
London, United Kingdom
ISBN
9781848221314
SKU
V9781848221314
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-2

About Judith Collins
Judith Collins is an independent curator and writer. She was responsible for several exhibitions at the Hayward Gallery, London, in the early 1980s, and then held the post of Senior Curator, Modern British Art, at Tate for 15 years. She is the author of Andy Goldsworthy: Midsummer Snowballs (2001), Lynn Chadwick (2006) and Sculpture Today (2007).

Reviews for Eduardo Paolozzi
‘the definitive study of this major force in twentieth-century art.’ The TLS

Goodreads reviews for Eduardo Paolozzi


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