Form as Revolt: Carl Einstein and the Ground of Modern Art
Sebastian Zeidler
The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity.In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein's art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century.
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About Sebastian Zeidler
Reviews for Form as Revolt: Carl Einstein and the Ground of Modern Art
CAA Reviews
Zeidlers Buch führt in Eisteins literarisches und kunsttheoretisches Werk ein, sprengt aber zugleich das Format der Monografie an so gut wie jedem Punkt seines Textes. Form as Revolt handelt entschieden weniger über den historischen Autor als mit ihm. Im skrupulösen, am Poststrukturalismus, an Derrida und Deleuze geschulten Versuch, die spezifische Verschränkung von Formen und Inhalten in Einsteins Denken und Schreiben herauszuarbeiten, um Einstein gewissermaßen neu zu schaffen, entdeckt und entwickelt Zeilder die Elemente einer Kunstgeschichte der Moderne vor dem Hintergrund der offenkundigen Krise wesentlicher Achsen der Disziplin, von der Semiologie bis zur social art history.
Kunstform
Form as Revolt is the inverse of esoteric; it ceaselessly winnows away the abstruse to place difficult art and thought within reach, but not in dumbed-down ways. To say this volume offers a remarkably insightful contribution to scholarship on the history and criticism of early twentieth-century art would certainly be true, but even such an accolade would hardly speak to the significance—and the courage—of Zeidler’s study.
Critical Inquiry