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Lowery Stokes Sims - The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art - 9780940717862 - V9780940717862
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The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art

€ 28.10
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Description for The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art paperback. Explores the visualization of geometry and geometrical forms through history with an emphasis on modern and contemporary art. This work visual journey that records not only the commonalities of human perception throughout the ages and in different cultures, but also the continuing dialogue of vanguard art from the 19th, 20th, and 21st centuries. Num Pages: 128 pages, 150 colour illustrations. BIC Classification: ACXJ. Category: (P) Professional & Vocational. Dimension: 150 x 155 x 10. Weight in Grams: 210.

Geometry can be found all around us. The Persistence of Geometry is an exploration of the visualization of geometry and geometrical forms through history with a special emphasis on modern and contemporary art. It is a highly personal visual journey that records not only the commonalities of human perception throughout the ages and in different cultures, but also the continuing dialogue of vanguard art from the 19th, 20th, and 21st centuries with traditional and historical art.

The Persistence of Geometry provides an opportunity to understand forms and shapes as carriers of meaning that are both specific to a particular ... Read more

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Product Details

Format
Paperback
Publication date
2006
Publisher
Cleveland Museum of Art United States
Number of pages
128
Condition
New
Number of Pages
128
Place of Publication
Cleveland, United States
ISBN
9780940717862
SKU
V9780940717862
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-50

About Lowery Stokes Sims
Dr. Lowery Stokes Sims, President of The Studio Museum in Harlem, has curated over 40 exhibitions, many reflecting an interest in African American and women artists; written extensively on African, Latino, Native and Asian American artists; and taught art history, curatorship, and art criticism at Bard College and Queens College, among others.

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