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The Shape of Content
Ben Shahn
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Description for The Shape of Content
Paperback. A modern painter discusses meaning and form in contemporary painting and offers advice to aspiring artists. Series: The Charles Eliot Norton Lectures. Num Pages: 144 pages, 35 line illustrations, 1 halftone. BIC Classification: ACX. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 155 x 9. Weight in Grams: 216.
In his 1956–57 Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist—painter, writer, composer—to his material, his craft, and his society. He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.
In his 1956–57 Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist—painter, writer, composer—to his material, his craft, and his society. He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.
Product Details
Publisher
Harvard University Press
Format
Paperback
Publication date
1992
Series
The Charles Eliot Norton Lectures
Condition
New
Weight
202g
Number of Pages
144
Place of Publication
Cambridge, Mass, United States
ISBN
9780674805705
SKU
V9780674805705
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
Reviews for The Shape of Content
The book is the clearest, most forceful statement on art by an artist of our time that I have read.
Frank Getlein
New Republic
To find a lucid painter speaking lucidly of art is a thrilling discovery… [He traces] the formation of painting from idea to completion, both generally and specifically with a clarity of thought and ... Read more
Frank Getlein
New Republic
To find a lucid painter speaking lucidly of art is a thrilling discovery… [He traces] the formation of painting from idea to completion, both generally and specifically with a clarity of thought and ... Read more