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Char Townsend-Gault - Native Art of the Northwest Coast: A History of Changing Ideas - 9780774820509 - V9780774820509
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Native Art of the Northwest Coast: A History of Changing Ideas

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Description for Native Art of the Northwest Coast: A History of Changing Ideas Paperback.

The Northwest Coast of North America has long been recognized as one of the world’s canonical art zones. Since the mid-1700s, objects or “art” deriving from the Indigenous cultures of this area have been desired, displayed, and exchanged, classified and interpreted, stolen and confiscated, bought and sold, and displayed again in many parts of the world. “Northwest Coast Native art”...

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The Northwest Coast of North America has long been recognized as one of the world’s canonical art zones. Since the mid-1700s, objects or “art” deriving from the Indigenous cultures of this area have been desired, displayed, and exchanged, classified and interpreted, stolen and confiscated, bought and sold, and displayed again in many parts of the world. “Northwest Coast Native art” has proved to be a powerful idea, assuming many guises over the centuries. But how has it been defined, and by whom and why?

This remarkable volume records and scrutinizes definitions of Northwest Coast Native art and its boundaries. A work of critical historiography, it makes accessible for the first time in one place a broad selection of more than 250 years of writing on Northwest Coast “art.” Organized thematically, its excerpted texts are from both published and unpublished sources, some not previously available in English.

The central importance of this book is that it counters the tendency to turn Northwest Coast Native “art” into a one-dimensional spectacle that obscures and reduces the values of its component cultures. In unsettling the conventions that have shaped “the idea of Northwest Coast Native art,” this book takes a central place in the lively, often heated, and now global, debates about what constitutes Native art and who should decide.

Product Details

Publisher
University of British Columbia Press Canada
Number of pages
1120
Format
Paperback
Publication date
2014
Condition
New
Weight
28 g
Number of Pages
1120
Place of Publication
Vancouver, Canada
ISBN
9780774820509
SKU
V9780774820509
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Char Townsend-Gault
Charlotte Townsend-Gault is a professor in the Department of Art History and a faculty associate in the Department of Anthropology at the University of British Columbia. Jennifer Kramer is an associate professor of anthropology and a curator, Pacific Northwest, at the Museum of Anthropology at the University of British Columbia. Ḳi-ḳe-in is a Nuuchaanulth historian, poet, and creator of many...
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Charlotte Townsend-Gault is a professor in the Department of Art History and a faculty associate in the Department of Anthropology at the University of British Columbia. Jennifer Kramer is an associate professor of anthropology and a curator, Pacific Northwest, at the Museum of Anthropology at the University of British Columbia. Ḳi-ḳe-in is a Nuuchaanulth historian, poet, and creator of many things, with forty years' experience as a speaker and ritualist. Contributors: John Barker, Judith Berman, Martha Black, Kathryn Bunn-Marcuse, Alice Marie Campbell, Paul Chaat Smith, Alice Marie Campbell, Dana Claxton, Gloria Cranmer Webster, Leslie Dawn, Kristin L. Dowell, Karen Duffek, Aaron Glass, Bruce Granville Miller, Ronald W. Hawker, Ira Jacknis, Aldona Jonaitis, Jennifer Kramer, Ḳi-ḳe-in, Andrea Laforet, Andrew Martindale, Marie Mauzé, Michael Nicoll Yahgulanaas, Marianne Nicolson, Judith Ostrowitz, Daisy Sewid-Smith, Charlotte Townsend-Gault, Scott Watson, and Douglas S. White

Reviews for Native Art of the Northwest Coast: A History of Changing Ideas
The scale of this undertaking is unprecedented in the art historical and anthropological literature of the Northwest Coast and, more broadly, in regard to Indigenous cultural expressions in North America and beyond ... The depth of research contained within its covers and the commitment to multivocality, interdisciplinarity, and consultation, are groundbreaking.
Megan A. Smetzer, Department of Art History,...
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The scale of this undertaking is unprecedented in the art historical and anthropological literature of the Northwest Coast and, more broadly, in regard to Indigenous cultural expressions in North America and beyond ... The depth of research contained within its covers and the commitment to multivocality, interdisciplinarity, and consultation, are groundbreaking.
Megan A. Smetzer, Department of Art History, Capilano University
Revue d'art canadienne / Canadian Art Review (RACAR), August 2014
This volume balances solid, modem scholarship with an anthology of earlier writings. It will be indispensable for anyone with a scholarly interest in Native American art, and very important for anyone interested in the art and culture of indigenous communities. Summing Up: Essential.
N. Anderson, emeritus, University of California, Riverside
CHOICE, March 2014
This work is an anthology, akin to improvisational jazz – embroidered around a core theme – but allowing every contributor remarkable latitude, creativity, and individuality. Subtitled “a history of changing ideas,” it indeed questions many long-held assumptions in the field, and posits fresh notions on contemporaneity. It also works to suggest what might be appropriate, respectful, and well-informed means of appreciating, sharing, and studying ceremonial objects, and the Native Northwest cultures which imbued them with life…it is rare indeed that one encounters a book with the capacity to make the reader feel woefully uninformed, while simultaneously tempering with the unflinchingly illustrative personal narratives of Native elders, Haida manga, and thought-provoking arguments on cultural patrimony…to the degree that any criticism can be made of this volume, it would only be that its sheer size may deter the casual observer who sees it on a shelf. This would truly be a shame, since its wealth of information, multiplicity of perspectives, diversity of opinion, and review of historical literature would make it a terrific resource for any library.
Michelle Paquette, Circulation, Periodicals, and Reserves Specialist, Frick Fine Arts Library
ARLIS/NA Reviews

Goodreads reviews for Native Art of the Northwest Coast: A History of Changing Ideas


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