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Charles Hatfield - Alternative Comics: An Emerging Literature - 9781578067190 - V9781578067190
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Alternative Comics: An Emerging Literature

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Description for Alternative Comics: An Emerging Literature paperback. Analyzes such seminal works as Spiegelman's "Maus", Gilbert Hernandez's "Palomar: The Heartbreak Soup Stories", and Justin Green's "Binky Brown Meets the Holy Virgin Mary". This book offers a critical study of comics and graphic novels as both a literary genre and a cultural phenomenon. Num Pages: 277 pages, 60 b&w comic book illustrations. BIC Classification: AKLC; FX. Category: (G) General (US: Trade). Dimension: 277 x 214 x 14. Weight in Grams: 572.
In the 1980s, a sea change occurred in comics. Fueled by Art Spiegel- man and Françoise Mouly's avant-garde anthology Raw and the launch of the Love & Rockets series by Gilbert, Jaime, and Mario Hernandez, the decade saw a deluge of comics that were more autobiographical, emotionally realistic, and experimental than anything seen before. These alternative comics were not the scatological satires of the 1960s underground, nor were they brightly colored newspaper strips or superhero comic books. In Alternative Comics: An Emerging Literature, Charles Hatfield establishes the parameters of alternative comics by closely examining long-form comics, in particular the graphic novel. He argues that these are fundamentally a literary form and offers an extensive critical study of them both as a literary genre and as a cultural phenomenon. Combining sharp-eyed readings and illustrations from particular texts with a larger understanding of the comics as an art form, this book discusses the development of specific genres, such as autobiography and history. Alternative Comics analyzes such seminal works as Spiegelman's Maus, Gilbert Hernandez's Palomar: The Heartbreak Soup Stories, and Justin Green's Binky Brown Meets the Holy Virgin Mary. Hatfield explores how issues outside of cartooning-the marketplace, production demands, work schedules-can affect the final work. Using Hernandez's Palomar as an example, he shows how serialization may determine the way a cartoonist structures a narrative. In a close look at Maus, Binky Brown, and Harvey Pekar's American Splendor, Hatfield teases out the complications of creating biography and autobiography in a substantially visual medium, and shows how creators approach these issues in radically different ways. Charles Hatfield, Canyon Country, California, is an assistant professor of English at California State University, Northridge. His work has been published in ImageTexT, Inks: Cartoon and Comic Art Studies, Children's Literature Association Quarterly, the Comics Journal, and other periodicals. See the author's Web site at www.csun.edu/~ch76854/.

Product Details

Format
Paperback
Publication date
2005
Publisher
University Press of Mississippi United States
Number of pages
277
Condition
New
Number of Pages
277
Place of Publication
Jackson, United States
ISBN
9781578067190
SKU
V9781578067190
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Charles Hatfield
Charles Hatfield is an assistant preofessor of English at California State University. His work has been published in Comics Journal, Inks: Cartoon & Comic Art Studies, and ImageTexT amongst others.

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