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Japanese Prints: Ukiyo-E in EDO, 1700-1900
Ellis Tinios
€ 19.99
€ 16.06
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Description for Japanese Prints: Ukiyo-E in EDO, 1700-1900
Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Num Pages: 144 pages, 100 colour illustrations. BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Category: (G) General (US: Trade). Dimension: 229 x 228 x 17. Weight in Grams: 630. Ukiyo-E in Edo, 1700-1900. 144 pages, 100 colour illustrations. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Cateogry: (G) General (US: Trade). BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Dimension: 229 x 228 x 17. Weight: 620.
Japanese woodblock prints of the Edo period (1615–1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. ... Read more
Japanese woodblock prints of the Edo period (1615–1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. ... Read more
Product Details
Publisher
British Museum Press
Number of pages
144
Format
Paperback
Publication date
2010
Condition
New
Number of Pages
144
Place of Publication
London, United Kingdom
ISBN
9780714124537
SKU
V9780714124537
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-4
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