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Description for John Cage
Paperback. In John Cage, Rob Haskins outlines how the controversial artist contributed to twentieth-century music, literature and art. Haskins considers John Cage's life, art, ideas and work, evaluating the twin pillars of Cage's creative output and the ideas that lie behind it. Series: Critical Lives. Num Pages: 184 pages, 30 black & white illustrations. BIC Classification: AVGC6; AVH; BGF. Category: (G) General (US: Trade). Dimension: 132 x 199 x 13. Weight in Grams: 291.
John Cage's contribution to twentieth-century music, literature and art not only established his place as a leading figure in the post-war avant-garde, but also guaranteed his enduring controversy. His emphasis on chance, as opposed to intention, rejected traditional artistic methods and caused uproar amongst his peers. The shock provoked by pieces such as 4'33 still reverberates today, as Cage's radical approach to art and aesthetics continues to challenge and inspire artists worldwide. In his new biography Rob Haskins considers John Cage's life, art, ideas and work, evaluating the twin pillars of Cage's creative output and the ideas that lie behind it. Demystifying the artist's use of chance, and his relationship to Zen Buddhism, the book explores Cage's belief that everyday life and art are one and the same. John Cage will appeal to musicians and artists, as well as general readers interested in the art, music and ideas of the twentieth century.
Product Details
Publisher
Reaktion Books United Kingdom
Number of pages
184
Format
Paperback
Publication date
2012
Series
Critical Lives
Condition
New
Number of Pages
224
Place of Publication
London, United Kingdom
ISBN
9781861899057
SKU
V9781861899057
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Rob Haskins
Rob Haskins is Assistant Professor in the Department of Music at the University of New Hampshire, Durham, and has been involved with John Cage's music as both a scholar and a performer for almost twenty years. He is the author of Anarchic Societies of Sounds: The Number Pieces of John Cage (2009).
Reviews for John Cage
Haskins does a fine job of dealing with Cage's many facets
his use of chance and thoughts about the ego and individualism, his flair for populism, his poetry and visual art
in much the same way he handles the Buddhist element: he deals with them intelligently and succinctly and then moves along. . . . Haskins does a laudably thorough job. It's a quick, intelligent, and quite readable book.
New Music Box [An] excellent introductory volume for the Reaktion Critical Lives series.
Times Literary Supplement This excellent biography by Rob Haskins sweeps away any possibility of Cage being considered a joker. It illuminates the composer's life and work and makes eminently clear the intellectual underpinning and circumstances of his multivarious activities. . . . This compact volume has plenty for the layperson and devotee alike. It is well laid out and the references and bibliography are excellent. The story of Cage's life is fascinating and Haskins tells it well, clearly explaining the developments of the maverick composers musical ideas.
BBC Music magazine Rob Haskin . . . shows, with an often lovely turn of phrase, how brilliantly
and profoundly musically
Cage was able to apply Zen to the process of writing music.
Los Angeles Times [Haskins'] book is part of Reaktion Books' Critical Lives series and is a miracle of concision. A mere 180 pages, the book not only tells the story of Cage's eventful life but also explores the composer's use of chance, his interest in Zen Buddhism and the I Ching, his painting and his writings. Haskins deals with each in a deceptively easy manner. On closer inspection, his discussions are clearly distillations of wide knowledge. References, internet links, exhibition catalogues, bibliography and select discography are all impeccably managed. . . . Coming to Cage's output for the first time via Haskins would be an informative and life-enhancing experience. For those of us who came in altogether more random a fashion (surely Cage would have approved?), Haskins would have saved us a lot of time.
Tempo Haskins' style is pleasingly crisp and transparent
the complexities and subtleties to which Cage sometimes seems to adhere are always clearly explained; yet without simplification. Where examples help to explain, they are chosen. . . . An ideal introduction and companion to the work, thinking and to some extent the influence of a composer whose place in music is still being assessed. Recommended.
Choice Rob Haskins' John Cage is not just another book on Cage; in various ways, Haskins manages to include in only 154 pages of main text more than other authors have covered in toms with many more pages. . . . The narration flows extremely smoothly, and the book is a good and enjoyable read. However, Haskins goes far beyond this: he gives us deep insights into various aspects of Cage's oeuvre, not only the musical works, in the narrow sense, but also the literary and poetic examples of his aesthetic thinking, as well as his numerous visual art objects. . . . This volume is a crucial contribution to Cage scholarship; in its compact form it should be bought by any library that wants to provide the best possible introduction to Cage's oeuvre in all its expressions and manifestations.
Notes
his use of chance and thoughts about the ego and individualism, his flair for populism, his poetry and visual art
in much the same way he handles the Buddhist element: he deals with them intelligently and succinctly and then moves along. . . . Haskins does a laudably thorough job. It's a quick, intelligent, and quite readable book.
New Music Box [An] excellent introductory volume for the Reaktion Critical Lives series.
Times Literary Supplement This excellent biography by Rob Haskins sweeps away any possibility of Cage being considered a joker. It illuminates the composer's life and work and makes eminently clear the intellectual underpinning and circumstances of his multivarious activities. . . . This compact volume has plenty for the layperson and devotee alike. It is well laid out and the references and bibliography are excellent. The story of Cage's life is fascinating and Haskins tells it well, clearly explaining the developments of the maverick composers musical ideas.
BBC Music magazine Rob Haskin . . . shows, with an often lovely turn of phrase, how brilliantly
and profoundly musically
Cage was able to apply Zen to the process of writing music.
Los Angeles Times [Haskins'] book is part of Reaktion Books' Critical Lives series and is a miracle of concision. A mere 180 pages, the book not only tells the story of Cage's eventful life but also explores the composer's use of chance, his interest in Zen Buddhism and the I Ching, his painting and his writings. Haskins deals with each in a deceptively easy manner. On closer inspection, his discussions are clearly distillations of wide knowledge. References, internet links, exhibition catalogues, bibliography and select discography are all impeccably managed. . . . Coming to Cage's output for the first time via Haskins would be an informative and life-enhancing experience. For those of us who came in altogether more random a fashion (surely Cage would have approved?), Haskins would have saved us a lot of time.
Tempo Haskins' style is pleasingly crisp and transparent
the complexities and subtleties to which Cage sometimes seems to adhere are always clearly explained; yet without simplification. Where examples help to explain, they are chosen. . . . An ideal introduction and companion to the work, thinking and to some extent the influence of a composer whose place in music is still being assessed. Recommended.
Choice Rob Haskins' John Cage is not just another book on Cage; in various ways, Haskins manages to include in only 154 pages of main text more than other authors have covered in toms with many more pages. . . . The narration flows extremely smoothly, and the book is a good and enjoyable read. However, Haskins goes far beyond this: he gives us deep insights into various aspects of Cage's oeuvre, not only the musical works, in the narrow sense, but also the literary and poetic examples of his aesthetic thinking, as well as his numerous visual art objects. . . . This volume is a crucial contribution to Cage scholarship; in its compact form it should be bought by any library that wants to provide the best possible introduction to Cage's oeuvre in all its expressions and manifestations.
Notes