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Mad Men, Mad World: Sex, Politics, Style, and the 1960s
Lauren M. E. Goodlad
€ 132.34
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Description for Mad Men, Mad World: Sex, Politics, Style, and the 1960s
Hardback. In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format. Editor(s): Goodlad, Lauren M. E.; Kaganovsky, Lilya; Rushing, Robert A. Num Pages: 432 pages, 97 illustrations. BIC Classification: 1KBBEY; 3JJPK; APT; JFCA. Category: (P) Professional & Vocational. Dimension: 242 x 165 x 30. Weight in Grams: 762.
Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis.
In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day.
Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon
Product Details
Format
Hardback
Publication date
2013
Publisher
Duke University Press
Number of pages
432
Condition
New
Number of Pages
432
Place of Publication
North Carolina, United States
ISBN
9780822354024
SKU
V9780822354024
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Lauren M. E. Goodlad
Lauren M. E. Goodlad is University Scholar, Associate Professor of English, and Director of the Unit for Criticism and Interpretive Theory at the University of Illinois, Urbana-Champaign. She is the author of The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience (forthcoming) and a coeditor of Goth: Undead Subculture, also published by Duke University Press. Lilya Kaganovsky is Associate Professor of Slavic, Comparative Literature, and Media & Cinema Studies at the University of Illinois, Urbana-Champaign. She is the author of How the Soviet Man Was Unmade. Robert A. Rushing is Associate Professor of Italian and Comparative Literature at the University of Illinois, Urbana-Champaign. He is the author of Resisting Arrest: Detective Fiction and Popular Culture.
Reviews for Mad Men, Mad World: Sex, Politics, Style, and the 1960s
“Just as Mad Men charms its viewers by using sex, drugs, snappy banter, and pretty people to make heavy topics (sexism, racism, dreams diffused) palatable, the editors of Mad Men, Mad World trust that some TV glamour will get readers interested in digesting academic theories. It's not wrong. Full of dense, fascinating writing, Mad Men, Mad World, from Duke University Press, takes stock of ‘sex, politics, style & the 1960s’ in a series of essays by academics, theorizing about Mad Men.”
Diana Clarke
Village Voice
“Throughout the book are intelligent discussions dissecting the central themes addressed in the show, such as masculinity and feminism, identity, and race relations and representations. . . . [It] accomplishes the admirable feat of offering considerable critique and examination from a standpoint of admiration and fandom.”
Publishers Weekly
“Mad Men, Mad World's brilliance is that it analyzes storylines and characters from completely unexpected angles. . . . These are deeply considered pieces that truly spark intellectual discussion. It's a mad world, indeed, but this book helps to bring some order to the chaos.”
Natalie Papailiou
Shelf Awareness for Readers
“There is much else in the book that I found interesting and useful in thinking about Mad Men, and I think it will be stimulating to readers outside the ranks of aca fandom.”
Scott McLemee
Inside Higher Ed
“An interesting conversation.”
Candace Opper
Bitch
“A lot is packed into this volume, and nobody is likely to reach the end feeling shortchanged. . . . This is no giddy fanzine, to be sure, but for folks who take their Mad Men seriously it opens worthwhile paths of inquiry.”
James M. Keller
Santa Fe New Mexican
Diana Clarke
Village Voice
“Throughout the book are intelligent discussions dissecting the central themes addressed in the show, such as masculinity and feminism, identity, and race relations and representations. . . . [It] accomplishes the admirable feat of offering considerable critique and examination from a standpoint of admiration and fandom.”
Publishers Weekly
“Mad Men, Mad World's brilliance is that it analyzes storylines and characters from completely unexpected angles. . . . These are deeply considered pieces that truly spark intellectual discussion. It's a mad world, indeed, but this book helps to bring some order to the chaos.”
Natalie Papailiou
Shelf Awareness for Readers
“There is much else in the book that I found interesting and useful in thinking about Mad Men, and I think it will be stimulating to readers outside the ranks of aca fandom.”
Scott McLemee
Inside Higher Ed
“An interesting conversation.”
Candace Opper
Bitch
“A lot is packed into this volume, and nobody is likely to reach the end feeling shortchanged. . . . This is no giddy fanzine, to be sure, but for folks who take their Mad Men seriously it opens worthwhile paths of inquiry.”
James M. Keller
Santa Fe New Mexican