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Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia
Jaleh Mansoor
€ 111.14
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Description for Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia
Hardback. Focusing on the work of Italian artists Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting in post-WWII Italy critiqued the economic violence of the Marshall Plan and American hegemony, broke with fascist-associated futurism, and anticipated Italian social unrest in the 1960 and 1970s. Series: Art History Publication Initiative. Num Pages: 288 pages, 26 illustrations, incl. 8 in color. BIC Classification: 1D; ACBS. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 23. Weight in Grams: 613.
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, ... Read more
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, ... Read more
Product Details
Publisher
Duke University Press United States
Number of pages
288
Format
Hardback
Publication date
2016
Series
Art History Publication Initiative
Condition
New
Number of Pages
288
Place of Publication
North Carolina, United States
ISBN
9780822362456
SKU
V9780822362456
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Jaleh Mansoor
Jaleh Mansoor is Assistant Professor of Art History at the University of British Columbia and coeditor of Communities of Sense: Rethinking Aesthetics and Politics, also published by Duke University Press.
Reviews for Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia
"Brilliantly highlighting the difference between Italian autonomy/autonomia and the far more general and metaphorical evocations of factory work in American-style pop art and minimalism, Mansoor is one among a small group of authors whose work consistently undercut the historicizing and pacifying ism in the concept of modernism. What we gain is an art historical account on par with the multiple ... Read more