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Description for Men's Cinema
Hardcover. A study of masculinity and film style. It is about identification as well as analysis, about mise-en-scene alongside representation and narrative. It offers a theorisation of men in Hollywood cinema via close textual analysis. Num Pages: 160 pages, 20 b&w illustrations. BIC Classification: 1KBB; APFN; JFSJ2. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 242 x 154 x 16. Weight in Grams: 426.
This is the first full-length study of masculinity and film style. Cinema is not just an intellectual or cerebral experience. They also make us feel: especially popular movies. This is a book about one aspect of how cinema makes us feel as well as think. Although all these aspects are interwined, Men's Cinema is about identification as well as analysis, about mise-en-scene alongside representation and narrative. Men's Cinema reflects on how we as spectators are invited to understand, desire or identify with Hollywood's vision of men and masculinity via mise-en-scene, from the classical era to the present day, and how more recently Hollywood has built up and refined the 'language' of 'men's cinema' via a series of recurrent, refined tropes that evoke masculinity, from a posse of men walking - often in slow motion - towards the camera to the ecstatically fast editing of the classic action sequence. It offers a new theorisation of men in Hollywood cinema via close textual analysis. It is structured around case studies which exemplify and illustrate the distinctive aspects and tropes of men's cinema. It is written in an accessible style.
Product Details
Publisher
Edinburgh University Press United Kingdom
Number of pages
160
Format
Hardback
Publication date
2013
Condition
New
Weight
426g
Number of Pages
160
Place of Publication
Edinburgh, United Kingdom
ISBN
9780748676156
SKU
V9780748676156
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Stella Bruzzi
Stella Bruzzi is Professor of Film and Television Studies at the University of Warwick.
Reviews for Men's Cinema
Stella Bruzzi's new book makes a welcome intervention in the fields of film and gender studies. Skillfully building upon classic works on the construction of male identity on screen, she nevertheless provides a completely new focus on the topic, offering a valuable addition to existing scholarship on this most crucial issue. Elisabetta Girelli, Scottish Journal of Performance This book is unique in its portrayal of masculinity in film by not only focusing on the construction of masculinity in film, but also by addressing the mise-en-scene in films that depict male characters. The text's strengths are in its strong theoretical analysis, the concrete examples of scenes from a variety of different films and time periods, and the discussions of the stylistic approaches different filmmakers have used to portray the male aesthetic. The interdisciplinary nature of Bruzzi's book makes it suitable for many social science disciplines, including gender and sexuality, media studies, sociology, cultural studies, and masculinity.
Heather R. Rodriguez, The Journal of Popular Culture Bruzzi deftly interweaves sociological and psychoanalytic theories of gender, desire and identification with vivid close readings of the aesthetic tropes and stylistic effects that define male-centred genre films to evaluate how images of masculinity are conveyed in classic and contemporary cinema...This is a lucid, highly enjoyable book that will undoubtedly stimulate further interesting research on the relationship between gender, aesthetics and spectatorship.
Ian Murphy, Alphaville: Journal of Film and Screen Media Stella Bruzzi's new book makes a welcome intervention in the fields of film and gender studies. Skillfully building upon classic works on the construction of male identity on screen, she nevertheless provides a completely new focus on the topic, offering a valuable addition to existing scholarship on this most crucial issue.
Elisabetta Girelli, Scottish Journal of Performance This book is unique in its portrayal of masculinity in film by not only focusing on the construction of masculinity in film, but also by addressing the mise-en-scene in films that depict male characters. The text's strengths are in its strong theoretical analysis, the concrete examples of scenes from a variety of different films and time periods, and the discussions of the stylistic approaches different filmmakers have used to portray the male aesthetic. The interdisciplinary nature of Bruzzi's book makes it suitable for many social science disciplines, including gender and sexuality, media studies, sociology, cultural studies, and masculinity.
Heather R. Rodriguez, The Journal of Popular Culture Bruzzi deftly interweaves sociological and psychoanalytic theories of gender, desire and identification with vivid close readings of the aesthetic tropes and stylistic effects that define male-centred genre films to evaluate how images of masculinity are conveyed in classic and contemporary cinema...This is a lucid, highly enjoyable book that will undoubtedly stimulate further interesting research on the relationship between gender, aesthetics and spectatorship.
Ian Murphy, Alphaville: Journal of Film and Screen Media 'Stella Bruzzi's new book makes a welcome intervention in the fields of film and gender studies. Skillfully building upon classic works on the construction of male identity on screen, she nevertheless provides a completely new focus on the topic, offering a valuable addition to existing scholarship on this most crucial issue.' - Elisabetta Girelli, Scottish Journal of Performance
Heather R. Rodriguez, The Journal of Popular Culture Bruzzi deftly interweaves sociological and psychoanalytic theories of gender, desire and identification with vivid close readings of the aesthetic tropes and stylistic effects that define male-centred genre films to evaluate how images of masculinity are conveyed in classic and contemporary cinema...This is a lucid, highly enjoyable book that will undoubtedly stimulate further interesting research on the relationship between gender, aesthetics and spectatorship.
Ian Murphy, Alphaville: Journal of Film and Screen Media Stella Bruzzi's new book makes a welcome intervention in the fields of film and gender studies. Skillfully building upon classic works on the construction of male identity on screen, she nevertheless provides a completely new focus on the topic, offering a valuable addition to existing scholarship on this most crucial issue.
Elisabetta Girelli, Scottish Journal of Performance This book is unique in its portrayal of masculinity in film by not only focusing on the construction of masculinity in film, but also by addressing the mise-en-scene in films that depict male characters. The text's strengths are in its strong theoretical analysis, the concrete examples of scenes from a variety of different films and time periods, and the discussions of the stylistic approaches different filmmakers have used to portray the male aesthetic. The interdisciplinary nature of Bruzzi's book makes it suitable for many social science disciplines, including gender and sexuality, media studies, sociology, cultural studies, and masculinity.
Heather R. Rodriguez, The Journal of Popular Culture Bruzzi deftly interweaves sociological and psychoanalytic theories of gender, desire and identification with vivid close readings of the aesthetic tropes and stylistic effects that define male-centred genre films to evaluate how images of masculinity are conveyed in classic and contemporary cinema...This is a lucid, highly enjoyable book that will undoubtedly stimulate further interesting research on the relationship between gender, aesthetics and spectatorship.
Ian Murphy, Alphaville: Journal of Film and Screen Media 'Stella Bruzzi's new book makes a welcome intervention in the fields of film and gender studies. Skillfully building upon classic works on the construction of male identity on screen, she nevertheless provides a completely new focus on the topic, offering a valuable addition to existing scholarship on this most crucial issue.' - Elisabetta Girelli, Scottish Journal of Performance