Adorno, Modernism and Mass Culture
Max Paddison
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Description for Adorno, Modernism and Mass Culture
Paperback. .
In examining the work of Theodor Adorno, this collection of essays focuses on the German philosopher's ideas in the field of musicology. Though it addresses complex theories, this inquiry maintains a lucid style, describing the nuances of Adorno's thought while not relying on a great deal of prior knowledge to shed light on his contributions to music theory. Included is a discussion of the applicability of Adorno's ideas to popular music and an assessment of Adorno's continuing relevance in light of other commentaries.
In examining the work of Theodor Adorno, this collection of essays focuses on the German philosopher's ideas in the field of musicology. Though it addresses complex theories, this inquiry maintains a lucid style, describing the nuances of Adorno's thought while not relying on a great deal of prior knowledge to shed light on his contributions to music theory. Included is a discussion of the applicability of Adorno's ideas to popular music and an assessment of Adorno's continuing relevance in light of other commentaries.
Product Details
Publisher
Kahn & Averill United Kingdom
Number of pages
160
Format
Paperback
Publication date
2006
Condition
New
Weight
219g
Number of Pages
160
Place of Publication
London, United Kingdom
ISBN
9781871082814
SKU
V9781871082814
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-36
About Max Paddison
Max Paddison is Professor of Music at the University of Durham, UK. His book, Adorno's Aesthetics of Music, was the first full-length study of Adorno's philosophy and sociology in English. Adorno, Modernism and Mass Culture, now in its second edition, extends and develops themes raised in that book. Max Paddison has also published widely on the philiosophy and sociology of ... Read more
Reviews for Adorno, Modernism and Mass Culture
"Paddison has assembled an accessible and timely collection of reflections on Adorno's aesthetics of music in service of showing just how it might compose a framework for the present critical interpretation of culture." - Tom Huhn, Professor of Philosophy, British Journal of Aesthetics.; "...a briliant piece of work..." Charles Rosen, The New York Review of Books