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Celluloid Symphonies: Texts and Contexts in Film Music History
Julie (Ed) Hubbert
€ 46.99
€ 33.79
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Description for Celluloid Symphonies: Texts and Contexts in Film Music History
Paperback. A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Editor(s): Hubbert, Julie. Num Pages: 528 pages, 1 table, 9 music examples. BIC Classification: APF; AVG. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 33. Weight in Grams: 720. Texts and Contexts in Film Music History. 528 pages, illustrations. Editor(s): Hubbert, Julie. A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Cateogry: (P) Professional & Vocational. BIC Classification: APF; AVG. Dimension: 227 x 150 x 33. Weight: 712.
"Celluloid Symphonies" is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music - Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore - and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert's introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and ... Read more
"Celluloid Symphonies" is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music - Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore - and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert's introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and ... Read more
Product Details
Publisher
University of California Press
Number of pages
528
Format
Paperback
Publication date
2011
Condition
New
Number of Pages
528
Place of Publication
Berkerley, United States
ISBN
9780520241022
SKU
V9780520241022
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Julie (Ed) Hubbert
Julie Hubbert is Associate Professor of Music at the University of South Carolina.
Reviews for Celluloid Symphonies: Texts and Contexts in Film Music History
"Hubbert has provided a useful supplemental resource for those interested in the history of film music."
M. Goldsmith Choice
M. Goldsmith Choice