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Constraint Programming in Music
Charlotte Truchet
€ 181.02
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Description for Constraint Programming in Music
Hardback. Constraint programming (CP) is a declarative programming paradigm that has relevance for academics and industrial applications (from n-queens to planning, vehicle routing, and optimization, among other fields). This book presents the most current information about musical CP systems from both the scientist's and composer's point-of-view. Editor(s): Truchet, Charlotte; Assayag, Gerard. Num Pages: 244 pages, Illustrations, music. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 240 x 160 x 26. Weight in Grams: 600.
Constraint programming (CP) is a declarative programming paradigm with many academic and industrial applications (from n-queens to planning, vehicle routing, and optimization, among other fields). Music composition has been one of these applications since the earliest works on automatic harmonization, and it remains a very special and challenging one due to its artistic (and highly subjective) nature. The early works on CP in music were limited to classical music composition, as the harmonization and counterpoint rules naturally translate into constraints. However, when contemporary composers began to be interested in constraints, CP became an essential tool in computer-assisted composition systems. As ... Read more
Constraint programming (CP) is a declarative programming paradigm with many academic and industrial applications (from n-queens to planning, vehicle routing, and optimization, among other fields). Music composition has been one of these applications since the earliest works on automatic harmonization, and it remains a very special and challenging one due to its artistic (and highly subjective) nature. The early works on CP in music were limited to classical music composition, as the harmonization and counterpoint rules naturally translate into constraints. However, when contemporary composers began to be interested in constraints, CP became an essential tool in computer-assisted composition systems. As ... Read more
Product Details
Format
Hardback
Publication date
2011
Publisher
ISTE Ltd and John Wiley & Sons Inc United Kingdom
Number of pages
256
Condition
New
Number of Pages
256
Place of Publication
London, United Kingdom
ISBN
9781848212886
SKU
V9781848212886
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Charlotte Truchet
Charlotte Truchet is an assistant professor at Nantes University in France. While she was earning her PhD, she worked on musical constraints in collaboration with contemporary composers at IRCAM/University of Paris 6. Gérard Assayag is head of the IRCAM-CNRS lab "Sciences and Technologies for Music and Sound" and a co-author of Open Music Computer-Assisted Composition software.
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