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Destabilizing the Hollywood Musical
K. Kessler
€ 66.61
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Description for Destabilizing the Hollywood Musical
paperback. A critical survey of Hollywood film musicals from the 1960s to the present. This book examines how, in the post-studio system era, cultural, industrial and stylistic circumstances transformed this once happy-go-lucky genre into one both fluid and cynical enough to embrace the likes of Rocky Horror and pave the way for Cannibal! and Moulin Rouge!. Num Pages: 269 pages, biography. BIC Classification: APF; AV; JFC; JFD; JFSJ. Category: (G) General (US: Trade). Dimension: 229 x 152. .
A critical survey of Hollywood film musicals from the 1960s to the present. This book examines how, in the post-studio system era, cultural, industrial and stylistic circumstances transformed this once happy-go-lucky genre into one both fluid and cynical enough to embrace the likes of Rocky Horror and pave the way for Cannibal! and Moulin Rouge!.
A critical survey of Hollywood film musicals from the 1960s to the present. This book examines how, in the post-studio system era, cultural, industrial and stylistic circumstances transformed this once happy-go-lucky genre into one both fluid and cynical enough to embrace the likes of Rocky Horror and pave the way for Cannibal! and Moulin Rouge!.
Product Details
Format
Paperback
Publication date
2010
Publisher
Palgrave Macmillan United Kingdom
Number of pages
269
Condition
New
Number of Pages
256
Place of Publication
Basingstoke, United Kingdom
ISBN
9781349311491
SKU
V9781349311491
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About K. Kessler
KELLY KESSLER is Assistant Professor of Media and Cinema Studies in the College of Communication at DePaul University, Chicago, USA. Her work on gender, genre, and sexuality has appeared in publications such as Film Quarterly, Televising Queer Women, American Masculinities, and The New Queer Aesthetic on Television.
Reviews for Destabilizing the Hollywood Musical
'Through her focus on a specific subset of musicals - integrated musicals from 1966-1983 - and shifting representations of masculinity within these films, Kessler provides readers with an engaging and accessible snapshot of the ways in which cultural conditions and anxieties find expression onscreen, often altering the very medium with which they engage.' -Scope