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Heavy Metal
Titus Et Al Hjelm
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Description for Heavy Metal
Paperback. The aim of this anthology is to analyse the relationship between heavy metal and society within a global context. Editor(s): Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark. Series: Studies in Popular Music. Num Pages: 260 pages, 6 figures. BIC Classification: AVGT. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 233 x 157 x 14. Weight in Grams: 382.
Heavy metal is now over 40 years old. It emerged at the tail end of the 1960s in the work of bands including Iron Butterfly, Vanilla Fudge, Jimi Hendrix, Deep Purple, Led Zeppelin and - most importantly - Black Sabbath. In the 1970s and early 1980s, heavy metal crystallised as a genre as bands such as Judas Priest and Iron Maiden removed most of the blues influence on the genre, codifying a set of basic metal characteristics that endure to this day: distorted guitars, aggressive vocals, denim, leather and spikes. In broad terms, wherever it is found and however it is played, metal tends to be dominated by a distinctive commitment to 'transgressive' themes and musicality causing it to be frequently seen as controversial music. Controversies surrounding the alleged (and often documented) connection between heavy metal and, variously, sexual promiscuity, occultism and Satanism, subliminal messages, suicide and violence have all made heavy metal a target of moral panics over popular culture. Metal has variously embraced, rejected, played with and tried to ignore this controversy. At times, the controversy dies down and the previously transgressive becomes relatively harmless - as in the transformation of Ozzy Osbourne from public enemy to loveable dad. Still, metal remains irrevocably marked by its controversial, transgressive tendencies. Indeed, the various moral panics that metal has been subjected to are not only constitutive, at least in part, of metal scenes, but are encoded in metal's transgression itself. As with hiphop's "ghetto" roots, metal's history of extreme sonic, lyrical and visual messages continue to give it credibility with new generations of fans today. The aim of this anthology is to analyse the relationship between heavy metal and society within a global context. It provides a thorough investigation of how and why metal becomes controversial, how metal 'scenes' are formed and examines the relationship between metal and society, including how fans, musicians and the media create the culture of heavy metal.
Product Details
Publisher
Equinox Publishing Ltd United Kingdom
Number of pages
260
Format
Paperback
Publication date
2013
Series
Studies in Popular Music
Condition
New
Weight
381g
Number of Pages
260
Place of Publication
London, United Kingdom
ISBN
9781845539412
SKU
V9781845539412
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Titus Et Al Hjelm
Titus Hjelm is Lecturer in Finnish Society and Culture at University College London. His main areas of expertise are cultural sociology, sociology of religion, social problems, media and popular culture. He is currently working on a book on social constructionism (Palgrave Macmillan, 2011) and editing a volume titled Religion and Social Problems (Routledge, 2010). He is also a member of the internationally acclaimed metal band Thunderstone. Keith Kahn-Harris is an Honorary Research Fellow at the Centre for Religion and Contemporary Society at Birkbeck College. He is the author of Extreme Metal: Music and Culture on the Edge (Berg, 2006) and writes the blog Metal Jew (www.metaljew.org). Mark LeVine is Professor of modern Middle Eastern history, culture and Islamic studies at University of California Irvine and author and editor of several books, including Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam (Random House/Three Rivers Press, 2008 and Impossible Peace: Israel/Palestine Since 1989 (Zed Books, 2009).
Reviews for Heavy Metal
'A powerful addition to the metal studies literature, this book is overflowing with insights into the cultural politics of heavy metal music. With lively writing, interdisciplinary approaches, and a global perspective, these chapters offer ideas that have broad implications for the study of popular music scenes and their dynamics, media scandals, the relationship between music and affect, and the role of culture in social life.' Professor Harris M. Berger, Texas A & M University 'From Christian metal to African American metal artists to the pleasures of feeling 'brutal,' Heavy Metal: Controversies and Countercultures explores a wide array of topics too often neglected in the critical study of the genre. The book is global in both the range of contributors and of its subject matter, and so joins the recent Metal Rules the Globe as proof that the field of global metal studies is in full bloom.' Steve Waksman, author of This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk