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Intervals, Scales, Tones: And the Concert Pitch c = 128 Hz
Maria Renold
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Description for Intervals, Scales, Tones: And the Concert Pitch c = 128 Hz
Paperback. Translator(s): Stevens, Bevis. Num Pages: 208 pages. BIC Classification: AVA; AVS. Category: (G) General (US: Trade). Dimension: 299 x 211 x 17. Weight in Grams: 626.
Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data. Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times. She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she ... Read more
Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data. Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times. She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she ... Read more
Product Details
Publisher
Temple Lodge Publishing
Format
Paperback
Publication date
2015
Condition
New
Number of Pages
208
Place of Publication
East Sussex, United Kingdom
ISBN
9781906999735
SKU
V9781906999735
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-2
About Maria Renold
MARIA RENOLD (1917-2003) spent her childhood in the United States, where her parents emigrated to found a eurythmy school in New York. She studied eurythmy and later violin and viola and toured with the Bush Chamber Orchestra and the Bush String Quartet. One of Maria Renold's deeply-felt questions concerned the correct concert pitch. When she heard of Rudolf Steiner's concert ... Read more
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