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Miles Davis, Miles Smiles, and the Invention of Post Bop
Jeremy Yudkin
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Description for Miles Davis, Miles Smiles, and the Invention of Post Bop
Paperback. Focusing on one of the legendary trumpet players in jazz, this book examines Miles Davis' often overlook music of the mid-1960s. It spotlights Davis during an extraordinarily creative period when the artist struggled with personal and musical reinvention and emerged the leader of a new wave in contemporary music. Num Pages: 184 pages, 2 b&w illus., 23 music exx. BIC Classification: AVGJ; AVH; AVRN. Category: (P) Professional & Vocational. Dimension: 216 x 147 x 12. Weight in Grams: 264.
Focusing on one of the legendary musicians in jazz, this book examines Miles Davis's often overlooked music of the mid-1960s with a close examination of the evolution of a new style: post bop. Jeremy Yudkin traces Davis's life and work during a period when the trumpeter was struggling with personal and musical challenges only to emerge once again as the artistic leader of his generation.
A major force in post-war American jazz, Miles Davis was a pioneer of cool jazz, hard bop, and modal jazz in a variety of small group formats. The formation in the mid-1960s of the Second Quintet ... Read more
Show LessProduct Details
Format
Paperback
Publication date
2007
Publisher
Indiana University Press United States
Number of pages
184
Condition
New
Number of Pages
184
Place of Publication
Bloomington, IN, United States
ISBN
9780253219527
SKU
V9780253219527
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Jeremy Yudkin
Jeremy Yudkin is professor of music at the College of Fine Arts and associated faculty of the Department of African American Studies at Boston University and Visiting Professor of Music at Oxford University.
Reviews for Miles Davis, Miles Smiles, and the Invention of Post Bop
In his thoughtful new book, Miles Davis, Miles Smiles, and the Invention of Post Bop. . . , Boston University music professor Jeremy Yudkin reconsiders one of Davis's lesser known albums, [Miles Smiles], and argues that it constitutes a new direction for Davis as well as the mark of Davis' creation of the style of post-bop music.
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