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Music in the Baroque
Wendy Heller
€ 63.43
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Description for Music in the Baroque
paperback. Baroque music in its cultural, social, and intellectual contexts. Series Editor(s): Frisch, Walter. Series: Western Music in Context: A Norton History. Num Pages: 336 pages, illustrations. BIC Classification: AVGC3. Category: (P) Professional & Vocational. Dimension: 231 x 157 x 19. Weight in Grams: 562.
Wendy Heller's Music in the Baroque traces the production and consumption of music in the seventeenth and early eighteenth century. Going beyond a history of styles, the text explores patronage, education, religious and civic ritual, theater, and visual culture. Heller focuses not only on the nature of music in the Baroque period, but also on the very different ways in which men and women experienced music in their daily lives. Treating music as an expression of political and national identity, she examines it in the context of the era's art and literature, political and religious conflicts, and contentious issues of class and gender.
Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.
Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.
Product Details
Format
Paperback
Publication date
2013
Publisher
W.W. Norton & Company
Number of pages
271
Condition
New
Number of Pages
336
Place of Publication
New York, United States
ISBN
9780393929171
SKU
V9780393929171
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Wendy Heller
Wendy Heller is Professor of Music and Director of the Program in Italian Studies at Princeton University. She is the author of Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice and articles published in the Journal of the American Musicological Society, Early Music, and Music & Letters. Heller’s writings have received awards from the American Musicological Society and the Society for the Study of Early Modern Women, and she has received grants from the National Endowment for the Humanities and the American Council of Learned Societies. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.
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