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Music in the Renaissance
Richard Freedman
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Description for Music in the Renaissance
Paperback. Renaissance music in its cultural, social, and intellectual contexts. Series Editor(s): Frisch, Walter. Series: Western Music in Context: A Norton History. Num Pages: 320 pages, Illustrations. BIC Classification: AVGC2. Category: (G) General (US: Trade). Dimension: 234 x 158 x 19. Weight in Grams: 546.
Richard Freedman's Music in the Renaissance shows how music and other forms of expression were adapted to changing tastes and ideals in Renaissance courts and churches. Giving due weight to sacred, secular, and instrumental genres, Freedman invites readers to consider who made music, who sponsored and listened to it, who preserved and owned it, and what social and aesthetic purposes it served. While focusing on broad themes such as music and the literary imagination and the art of improvisation, he also describes Europeans' musical encounters with other cultures and places.
Western Music in Context: A Norton History ... Read more
Richard Freedman's Music in the Renaissance shows how music and other forms of expression were adapted to changing tastes and ideals in Renaissance courts and churches. Giving due weight to sacred, secular, and instrumental genres, Freedman invites readers to consider who made music, who sponsored and listened to it, who preserved and owned it, and what social and aesthetic purposes it served. While focusing on broad themes such as music and the literary imagination and the art of improvisation, he also describes Europeans' musical encounters with other cultures and places.
Western Music in Context: A Norton History ... Read more
Product Details
Format
Paperback
Publication date
2012
Publisher
WW Norton & Co United States
Number of pages
258
Condition
New
Number of Pages
320
Place of Publication
New York, United States
ISBN
9780393929164
SKU
V9780393929164
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-18
About Richard Freedman
Richard Freedman is John C. Whitehead Professor of Humanities at Haverford College. His writings include a book, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, and articles in numerous publications, including The Musical Quarterly, Music and Letters, and The New Grove Dictionary of Music. He is the recipient of grants from ... Read more
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