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Vaudeville Melodies
Nicholas Gebhardt
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Description for Vaudeville Melodies
Hardcover. Num Pages: 208 pages. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 228 x 152. .
If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of ... Read more
If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of ... Read more
Product Details
Format
Hardback
Publication date
2017
Publisher
The University of Chicago Press United States
Number of pages
208
Condition
New
Number of Pages
208
Place of Publication
, United States
ISBN
9780226448558
SKU
V9780226448558
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Nicholas Gebhardt
Nicholas Gebhardt is professor of jazz and popular music studies at Birmingham City University, UK. He is the author of The Cultural Politics of Jazz Collectives and Going For Jazz: Musical Practices and American Ideology, the latter also published by the University of Chicago Press.
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