Rao's book not only complements Wing Chung Ng's study of the rise of Cantonese Opera and Bell Yung's analysis of its creative process, but also constitutes a significant contribution to Asian-American Studies, Chinese Studies, and American music history.
China Review International Rao's book is an important text that should be included in musicology or ethnomusicology ... Read morecourses, not only for the historical and cultural reference that it brings to bear, but also for how the genre of Cantonese opera improves our understanding of the world today.
American Music Review Achieves a sharpness of focus and depth of detail that takes our understanding of the history of Cantonese opera in North America to a new level . . . Chinatown Opera Theater in North America is an excellent piece of historical scholarship, and a unique and original contribution to our knowledge of Chinese performing arts in the Americas.
Ethnomusicology Forum Chinatown Theater in North America represents a significant contribution in theater scholarship. It is a book that is sure to provoke further discussion among all those who have an interest either in Chinese opera or musicology or American history or cultural studies. There is much to impress and enjoy in this interestingly illustrated book, and it is a welcome study of the subject.
Studies in Theatre and Performance Chinatown Opera Theater in North America is a treasure trove that celebrates the transnational development of Cantonese Opera in North America in the 1920s.
Studies in Theatre and Performance Through her in-depth archival research and adept linguistic and musicological skills, [Rao] brings to light the importance of Chinese immigrant music making. . . . A significant contribution to our understanding of the history of music making, particularly in the United States.
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