
Stock image for illustration purposes only - book cover, edition or condition may vary.
Geek Rock
. Ed(S): Diblasi, Alex; Willis, Victoria
€ 117.24
FREE Delivery in Ireland
Description for Geek Rock
Geek Rock: An Exploration of Music and Subculture examines the relationship between geek culture and popular music, tracing a history from the late 1960s to the present day. This collection of essays explores the evolution of "geek rock" from songs about cars and girls to monster movies, outer space, and what it means to be "white and nerdy." Editor(s): DiBlasi, Alex; Willis, Victoria. Num Pages: 226 pages, 2 black & white halftones. BIC Classification: AVGP. Category: (P) Professional & Vocational. Dimension: 238 x 160 x 20. Weight in Grams: 494.
Geek Rock: An Exploration of Music and Subculture examines the relationship between geek culture and popular music, tracing a history from the late 1960s to the present day. The term “geek rock” refers to forms of popular music that celebrate all things campy, kitschy, and quirky. In this collection of essays, contributors explore the evolution of this music genre, from writing songs about poodles, girls, monster movies, and outer space to just what it means to be “white and nerdy.” Editors Alex DiBlasi and Victoria Willis have gathered eleven essays from across the world, covering every facet of geek culture from its earliest influences, including ·Frank Zappa ·Captain Beefheart ·Devo ·They Might Be Giants ·Weird Al Yankovic ·Present-day advocates of “Nerdcore” Geek Rock offers a working history of this subgenre, which has finally begun to come under academic study. The essays take a variety of scholarly approaches, encompassing musicology, race, gender studies, sociology, and Lacanian psychoanalysis. Geek Rock will be of interest to readers of all backgrounds: music scholars, college and university professors, sociologists, and die-hard fans.
Product Details
Publication date
2014
Publisher
Rowman & Littlefield United States
Number of pages
226
Condition
New
Number of Pages
226
Format
Hardback
Place of Publication
Lanham, MD, United States
ISBN
9781442229754
SKU
V9781442229754
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About . Ed(S): Diblasi, Alex; Willis, Victoria
Alex DiBlasi has done extensive research on The Kinks, The Who, The Monkees, Frank Zappa, and the influences of Eastern religion in popular music. His other fields of research include experimental film, Czech New Wave cinema, and east European History. Victoria Willis, Ph.D., is a research analyst in the Office of Institutional Research at Georgia State University. Her research interests revolve around the intersections of rhetoric, music, and popular culture.
Reviews for Geek Rock
Geek Rock, a series of essays edited by Alex DiBlasi and Victoria Willis, places key figures and trends in the burgeoning geek rock subculture under the lens of critical theory. The inspiration for the book came out of a panel at the Popular Culture Association/American Culture Association’s annual meeting in Boston in April 2012. . . .As a study of geek subculture, Geek Rock suggests possibilities for future scholarly exploration.
American Reference Books Annual
DiBlasi and Willis collected eleven essays from around the world, trying to cover the how, when, where, and whys of geek culture’s music from its earliest preferences, which include (as said previously) Zappa and Beefheart, Devo, They Might Be Giants and on to what has now become known as 'nerdcore.' These various essays aren’t simply a fan’s point of view; rather these are serious cultural and musical looks, evaluations and dissections. . . .As a fan of Beefheart and an appreciator of Zappa, I would say, yes, do check this book out. And extra applause for compiling a serious book on a musical subculture; this is not a predictable tome of fan fluff. These are smart music people.
Popdose
American Reference Books Annual
DiBlasi and Willis collected eleven essays from around the world, trying to cover the how, when, where, and whys of geek culture’s music from its earliest preferences, which include (as said previously) Zappa and Beefheart, Devo, They Might Be Giants and on to what has now become known as 'nerdcore.' These various essays aren’t simply a fan’s point of view; rather these are serious cultural and musical looks, evaluations and dissections. . . .As a fan of Beefheart and an appreciator of Zappa, I would say, yes, do check this book out. And extra applause for compiling a serious book on a musical subculture; this is not a predictable tome of fan fluff. These are smart music people.
Popdose