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Remaking the Song: Operatic Visions and Revisions from Handel to Berio
Roger Parker
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Description for Remaking the Song: Operatic Visions and Revisions from Handel to Berio
Hardback. Opera performances are often radically inventive. Composers' revisions, singers' improvisations, and stage directors' re-imaginings continually challenge our visions of canonical works. But do they go far enough? This book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. Series: Ernest Bloch Lectures. Num Pages: 179 pages, 1 b/w photograph, 21 music examples. BIC Classification: AVGC9. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 16. Weight in Grams: 68.
Opera performances are often radically inventive. Composers' revisions, singers' improvisations, and stage directors' re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. It looks at opera's history of multiple visions and revisions and asks a simple question: what exactly is opera? "Remaking the Song", rich in imaginative answers, considers works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio in order to challenge what many regard as sacroscant: the opera's musical text. Scholarly ... Read more
Opera performances are often radically inventive. Composers' revisions, singers' improvisations, and stage directors' re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. It looks at opera's history of multiple visions and revisions and asks a simple question: what exactly is opera? "Remaking the Song", rich in imaginative answers, considers works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio in order to challenge what many regard as sacroscant: the opera's musical text. Scholarly ... Read more
Product Details
Format
Hardback
Publication date
2006
Publisher
University of California Press United States
Number of pages
179
Condition
New
Series
Ernest Bloch Lectures
Number of Pages
179
Place of Publication
Berkerley, United States
ISBN
9780520244184
SKU
V9780520244184
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Roger Parker
Roger Parker, Professor of Music at the University of Cambridge, is author of Leonora's Last Act: Essays in Verdian Discourse and editor of The Oxford Illustrated History of Opera.
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