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Overhearing Film Dialogue
Sarah Kozloff
€ 35.99
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Description for Overhearing Film Dialogue
Paperback. Discusses dozens of classic and contemporary films ranging from "Bringing Up Baby" to "Terms of Endearment", from "Stagecoach" to "Reservoir Dogs". This book studies the use of dialogue in American film. It shows why dialogue has been neglected in the analysis of narrative film. Num Pages: 332 pages, 53 b/w photographs. BIC Classification: 1KBB; APFA. Category: (P) Professional & Vocational. Dimension: 237 x 194 x 21. Weight in Grams: 602.
Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, 'When a motion picture is at its best, it is long on action and short on dialogue'. Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of ... Read more
Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, 'When a motion picture is at its best, it is long on action and short on dialogue'. Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of ... Read more
Product Details
Format
Paperback
Publication date
2000
Publisher
University of California Press United States
Number of pages
332
Condition
New
Number of Pages
332
Place of Publication
Berkerley, United States
ISBN
9780520221383
SKU
V9780520221383
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Sarah Kozloff
Sarah Kozloff is Professor and Chair of film studies at Vassar College. She is the author of Invisible Storytellers: Voice-Over Narration in American Fiction Film (California, 1988).
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