Painting Traditions of the Drigung Kagyu School (Masterworks of Tibetan Painting)
David P. Jackson
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Description for Painting Traditions of the Drigung Kagyu School (Masterworks of Tibetan Painting)
Hardcover. "This catalog is published in conjunction with an exhibition organized and presented by the Rubin Museum of Art, New York, April 24 through September 7, 2015, and curated by David P. Jackson." Series: Masterworks of Tibetan Painting. Num Pages: 300 pages, illustrations. BIC Classification: ACBP; AG. Category: (G) General (US: Trade). Dimension: 260 x 311 x 31. Weight in Grams: 2384.
Though the Drigung Kagyu was one of the most prominent and powerful schools of Tibetan Buddhism during its early period (12th - 14th century), its art is still relatively poorly known, even among Tibetans. With its mother monastery destroyed twice, once in the late 13th century and again during the Great Cultural Revolution, much of the art was lost or dispersed. The iconography of the Drigung School is examined with regard to its three main periods - early, middle, and late - in combination with the distinctive influences of the Sharri, Khyenri, and Driri styles. The book aims elucidate to ... Read more
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Format
Hardback
Publication date
2014
Publisher
University of Washington Press
Condition
New
Number of Pages
300
Place of Publication
New York, United States
ISBN
9780984519071
SKU
V9780984519071
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About David P. Jackson
David P. Jackson is the author of Patron and Painter: Situ Panchen and the Revival of the Encampment Style; A History of Tibetan Painting; The Nepalese Legacy in Tibetan Painting; Mirror of the Buddha: Early Portraits from Tibet; and The Place of Provenance: Regional Styles in Tibetan Painting.
Reviews for Painting Traditions of the Drigung Kagyu School (Masterworks of Tibetan Painting)
"In this fifth volume of his landmark "Masterworks of Tibetan Painting" series, Jackson continues patiently and systematically to lay the groundwork for a new art history of Tibetan painting—one more firmly supported by specifics of provenance, subject, and style."
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