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Performativity and Event in 1960s Japan
Peter Eckersall
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Description for Performativity and Event in 1960s Japan
Paperback. Performativity and Event in 1960s Japan considers the artists and events in 1960s Japan. In response to the social upheavals of the 1960s, it shows how art interacted with society in unique and transformational ways, nterweaving arguments about the critical role of performance as an artistic medium and as a social dramaturgy. Num Pages: 191 pages, biography. BIC Classification: AN; AS; HBTB; JFC. Category: (G) General (US: Trade). Dimension: 216 x 140. .
Performativity and Event in 1960s Japan considers the artists and events in 1960s Japan. In response to the social upheavals of the 1960s, it shows how art interacted with society in unique and transformational ways, nterweaving arguments about the critical role of performance as an artistic medium and as a social dramaturgy.
Performativity and Event in 1960s Japan considers the artists and events in 1960s Japan. In response to the social upheavals of the 1960s, it shows how art interacted with society in unique and transformational ways, nterweaving arguments about the critical role of performance as an artistic medium and as a social dramaturgy.
Product Details
Format
Paperback
Publication date
2013
Publisher
Palgrave Macmillan United Kingdom
Number of pages
191
Condition
New
Number of Pages
183
Place of Publication
Basingstoke, United Kingdom
ISBN
9781349437078
SKU
V9781349437078
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Peter Eckersall
Peter Eckersall teaches Theatre Studies in the School of Culture and Communication, University of Melbourne. Recent publications include Kawamura Takeshi's Nippon Wars and Other Plays and Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era (with Denise Varney, Barbara Hatley and Chris Hudson). He is a specialist of contemporary performance and a dramaturgy.
Reviews for Performativity and Event in 1960s Japan
'A fresh, innovative and rigorous work on a largely unexplored aspect of Japanese performance and urban space in the 1960s, this book will appeal to scholars and students from across several disciplinary boundaries.' - Alan Cummings, SOAS University of London, UK