Walker’s autobiographical recollections are balanced and even-handed; he recounts both triumphs and disappointments in straightforward, almost bare-boned prose that allows the reader to draw his or her own conclusions....Writing of his early life, he compellingly portrays the strong, quiet dignity of his parents and grandmother, qualities he’s obviously imbibed and assimilated as integral parts of his own personality. Short but ... Read morerevealing portraits of famous musicians add a colorful touch. Overall, Walker’s autobiography should be of interest to anyone curious about the life and works of a distinguished American composer.
Fanfare Magazine, May 2010
Walker is at his best when he discusses his music, especially his desire to write music that is technically accomplished and musically interesting at the same time.
Notes: Quarterly Journal of the Music Library Association, June 2010
Walker details his accomplishments, activities, and achievements - and yes, aggravations and affronts - in "Reminiscences of an American Composer and Pianist," a memoir that's just been released by Scarecrow Press....Walker creates his works of art with a deliberative meticulousness.
Bookshelf, August 2009
That Walker was one of the foremost of contemporary composers was evident long before he won the Pulitzer Prize for music in 1996. Here he offers an account of his stellar background, from his first studies in his native Washington, DC, through his degree work at Oberlin, Curtis, and Eastman-not to mention private study with Nadia Boulanger and others-providing details not previously available. . . . Walker's work as both composer and pianist, his insight into his contacts with fellow professionals, and terse analyses of his major works all unite here, making this autobiographical study a priority for musicians. Highly recommended.
CHOICE, December 2009
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