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Sensing Sound: Singing and Listening as Vibrational Practice
Nina Sun Eidsheim
€ 138.47
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Description for Sensing Sound: Singing and Listening as Vibrational Practice
Hardback. Through an analysis of four contemporary operas, Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions of how we think about sound, music, and listening by challenging common assumptions about sound, freeing it from a constraining set of fixed concepts and meanings. Series: Sign, Storage, Transmission. Num Pages: 288 pages, 28 illustrations. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 162 x 239 x 22. Weight in Grams: 516.
In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.
Product Details
Format
Hardback
Publication date
2015
Publisher
Duke University Press United States
Number of pages
288
Condition
New
Series
Sign, Storage, Transmission
Number of Pages
288
Place of Publication
North Carolina, United States
ISBN
9780822360469
SKU
V9780822360469
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Nina Sun Eidsheim
Nina Sun Eidsheim is Assistant Professor of Musicology at the University of California, Los Angeles.
Reviews for Sensing Sound: Singing and Listening as Vibrational Practice
"Even if we consider 'the voice' as a sound source, in an average personal imaginary ‘sound’ is something external, while 'the voice' is something internal and intimate. If we add to that the extreme power of language, it’s even harder to treat the voice as 'sound.' Eidsheim explores these contradictions in her book with knowledge and vision. Her theory of sound as a 'universal connection of entities,' for example, is simply enrapturing...."
Aurelio Cianciotta
Neural
"Eidsheim’s formulation of music as vibrational practice engenders new ways of considering communication between singer and audience, environment and body, and animate and inanimate materials. ... Her work generates wide-ranging and pragmatic resonances for those interested in questions surrounding sound and multi-sensory experience."
Amy Skjerseth
Theatre Research International
"[Eidsheim's] book invites readers to remember that music itself is a complex phenomenon better understood as an experience and practice of 'intermaterial vibration.'"
Cecilia Livingston
Cambridge Opera Journal
“Sensing Sound is a captivating and rewarding book. Eidsheim’s ‘vibrational practice’ provides a liberating take on vocal sound, and one that can be applied not only to singing and listening, but to many dimensions of sensory experience.”
Rebecca Lentjes
Journal of Interdisciplinary Voice Studies
“No doubt [Sensing Sound] will become required reading in many academic disciplines that touch on voice studies.”
Marit MacArthur
Yale Review
“Sensing Sound delivers a provocative theory of musical sonority—one that interrogates the participatory, material, and experiential dimensions of music-making in new and exciting ways. . . . Sensing Sound is sure to enliven music and sound studies research for years to come.”
Daniel Akira Stadnicki
Intersections
“Eidsheim’s book is sensitive to bodies, attentive to physics, and mindful of encultured practices of listening and sounding. It is a much-needed meeting point for musicology, sound studies, philosophy of sound, performance studies, vocal pedagogy, and those interested in theorizing difference in music.”
Lucie Vágnerová
Current Musicology
Aurelio Cianciotta
Neural
"Eidsheim’s formulation of music as vibrational practice engenders new ways of considering communication between singer and audience, environment and body, and animate and inanimate materials. ... Her work generates wide-ranging and pragmatic resonances for those interested in questions surrounding sound and multi-sensory experience."
Amy Skjerseth
Theatre Research International
"[Eidsheim's] book invites readers to remember that music itself is a complex phenomenon better understood as an experience and practice of 'intermaterial vibration.'"
Cecilia Livingston
Cambridge Opera Journal
“Sensing Sound is a captivating and rewarding book. Eidsheim’s ‘vibrational practice’ provides a liberating take on vocal sound, and one that can be applied not only to singing and listening, but to many dimensions of sensory experience.”
Rebecca Lentjes
Journal of Interdisciplinary Voice Studies
“No doubt [Sensing Sound] will become required reading in many academic disciplines that touch on voice studies.”
Marit MacArthur
Yale Review
“Sensing Sound delivers a provocative theory of musical sonority—one that interrogates the participatory, material, and experiential dimensions of music-making in new and exciting ways. . . . Sensing Sound is sure to enliven music and sound studies research for years to come.”
Daniel Akira Stadnicki
Intersections
“Eidsheim’s book is sensitive to bodies, attentive to physics, and mindful of encultured practices of listening and sounding. It is a much-needed meeting point for musicology, sound studies, philosophy of sound, performance studies, vocal pedagogy, and those interested in theorizing difference in music.”
Lucie Vágnerová
Current Musicology