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Sounding New Media: Immersion and Embodiment in the Arts and Culture
Frances Dyson
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Description for Sounding New Media: Immersion and Embodiment in the Arts and Culture
Paperback. Examines the role of sound and audio in the development of media theory and practice, including technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. This book takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics. Num Pages: 262 pages, 8 b/w photographs. BIC Classification: AB; AV; JFD; TTA. Category: (P) Professional & Vocational. Dimension: 226 x 154 x 18. Weight in Grams: 368. Immersion and Embodiment in the Arts and Culture. 262 pages, illustrations. Examines the role of sound and audio in the development of media theory and practice, including technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. This book takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics. Cateogry: (P) Professional & Vocational. BIC Classification: AB; AV; JFD; TTA. Dimension: 226 x 154 x 18. Weight: 368.
"Sounding New Media" examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varese, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called ... Read more
"Sounding New Media" examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varese, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called ... Read more
Product Details
Format
Paperback
Publication date
2009
Publisher
University of California Press
Number of pages
262
Condition
New
Number of Pages
262
Place of Publication
Berkerley, United States
ISBN
9780520258990
SKU
V9780520258990
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Frances Dyson
Frances Dyson is Associate Professor of Technocultural Studies at the University of California, Davis.
Reviews for Sounding New Media: Immersion and Embodiment in the Arts and Culture
"Dyson seamlessly integrates theoretical perspectives with the history of technological developments in this thought-provoking work for scholars and practitioners." Choice "An informative book on the still developing role between new media, consumer, and creator."
Heather Pinson Notes (Music Library Assoc) "Sophisticated and ... ambitious... Dyson's skillful, erudite excavations of rhetorical and conceptual structures bring many benefits." Filter Magazine "A ... Read more
Heather Pinson Notes (Music Library Assoc) "Sophisticated and ... ambitious... Dyson's skillful, erudite excavations of rhetorical and conceptual structures bring many benefits." Filter Magazine "A ... Read more