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The American Musical and the Performance of Personal Identity
Raymond Knapp
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Description for The American Musical and the Performance of Personal Identity
Paperback. Addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. This work considers three overlapping genres that are central to the projection of personal identity: operetta, movie musicals, and operatic musicals. Num Pages: 480 pages, 31 halftones. 26 line illus. 1 table. BIC Classification: 1KBB; AVGM. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 233 x 156 x 29. Weight in Grams: 702.
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and ... Read more
The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and ... Read more
Product Details
Format
Paperback
Publication date
2009
Publisher
Princeton University Press
Number of pages
490
Condition
New
Number of Pages
480
Place of Publication
New Jersey, United States
ISBN
9780691141053
SKU
V9780691141053
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Raymond Knapp
Raymond Knapp is professor of musicology at the University of California, Los Angeles, and the author of "The American Musical and the Formation of National Identity" (Princeton), winner of the George Jean Nathan Award for Dramatic Criticism. He has also published books on Brahms and Mahler.
Reviews for The American Musical and the Performance of Personal Identity
"Brainy [and] meticulous... The bedrock idea in The American Musical and the Performance of Personal Identity is that the self is, on some level, a performance
and isn't a performance incomplete when there's no audience? Other people provide the receptivity and feedback that allow one to become a certain person, rather than another. Character is
to revert to that inspiring buzzword
collaboration."
Celia Wren, ... Read more
and isn't a performance incomplete when there's no audience? Other people provide the receptivity and feedback that allow one to become a certain person, rather than another. Character is
to revert to that inspiring buzzword
collaboration."
Celia Wren, ... Read more