The Contested Parterre. Public Theater and French Political Culture, 1680-1791.
Jeffrey S. Ravel
In the playhouses of eighteenth-century France, clerks and students, soldiers and merchants, and the occasional aristocrat stood in the pit, while the majority of the elite sat in loges. These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years before the Revolution. Offering a commoner's eye view of the drama offstage, this fascinating history of French theater audiences clearly demonstrates how problems in the parterre reflected tensions at the heart of the Old Regime.
Jeffrey S. Ravel vividly depicts the scene in the parterre where the male spectators occupied themselves shoving one another, drinking, urinating, and confronting the actors with critiques of the performance. He traces the futile efforts of the Bourbon Court—and later its Enlightened opponents—to control parterre behavior by both persuasion and force. Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French citizens. An important contribution to debates on the public sphere, Ravel's book is the first to explore the role of the parterre in the political culture of eighteenth-century France.
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About Jeffrey S. Ravel
Reviews for The Contested Parterre. Public Theater and French Political Culture, 1680-1791.
James H. Johnson
Journal of Modern Histor
A superbly researched book.... Ravel has given us a much misunderstood aspect of the parterres of the grand theaters. It is a breathtaking spectacle of plebes and plebeians.
Robert M. Isherwood, Vanderbilt University
American Historical Review
Drawing on a refreshingly eclectic mix of theoretical underpinnings, Ravel revises the interpretation of earlier theater scholars.... He shows us a 'public' that was not constituted primarily in the medium of print and whose opinions did not evolve in a linear fashion, from literary debate to political issues.
Eighteenth-Century Studies
Jeffrey Ravel gives an excellent impression of what it would have been like to have frequented the parterre in this period.... This is a highly informative and entertaining book that rightly emphasizes the significant role played by the parterre in seventeenth- and eighteenth-centure theatrical life.
Jan Clarke
New Theatre Quarterly
Jeffrey Ravel's The Contested Parterre is a work of considerable merit, worthy of a place among the histories of French cultural politics produced in recent decades by Cornell University Press, the most prominent publisher in the field. The book is beautifully turned out. The scholarly apparatus is impressive, and footnotes make it particularly user-friendly.
Andre Spies, Hollins University
H-France Reviews