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Theatre as Voyeurism: The Pleasures of Watching
N/A
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Description for Theatre as Voyeurism: The Pleasures of Watching
Hardcover. Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk. Editor(s): Rodosthenous, George. Num Pages: 242 pages, biography. BIC Classification: AN. Category: (P) Professional & Vocational. Dimension: 146 x 223 x 19. Weight in Grams: 416.
Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk.
Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk.
Product Details
Format
Hardback
Publication date
2015
Publisher
Palgrave Macmillan
Condition
New
Number of Pages
230
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137478801
SKU
V9781137478801
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About N/A
Fiona Bannon, University of Leeds, UK Luk Van den Dries, University of Antwerp, Belgium Laurens De Vos, University of Amsterdam, Holland William McEvoy, University of Sussex, UK Eleni Papalexiou, University of the Peloponnese, Nafplion, Greece Daniël Ploeger, Royal Central School of Speech and Drama, University of London, UK David Shearing, University of Leeds, UK Tim Stephenson, University of Leeds, ... Read more
Reviews for Theatre as Voyeurism: The Pleasures of Watching
“The volume offers rich critical engagements with this theatrical voyeur by asking what pleasures, intersubjective relations, and sensorial dynamics might emerge from such a model of spectatorship. … Theatre as Voyeurism succeeds at articulating an exciting and novel theoretical frame and is a valuable collection for any scholar interested in spectatorship, the auteur, and/or the erotics of performance.” (Matthew C. ... Read more