Hattie Naylor’s script is full of the head-spinning facts that make astronomy both frightening and fascinating
Guardian on 'Going Dark'
Hattie Naylor's writing beautifully conveys the incredible way the boy and dogs connected to each other
Daily Telegraph on 'Ivan and the Dogs'
Hattie Naylor's stark, bleak play feels like a fairytale. Its language and rhythms have the steady simplicity of a child's speech
Guardian on 'Ivan and the Dogs'
In Hattie Naylor’s text, the relationship between father and son shines so brightly […] that it suffuses the whole play with a rich, glowing emotional depth
Scotsman on 'Ivan and the Dogs'
Hattie Naylor brings a modern adaptation of the French fable to the stage in order to question our current complicity with the objectification of women . . . poetic in style and well-executed in all
What's On Stage
. . . a gripping and incredibly intense experience.
Stage
. . . bold and thoughtful take . . .
Guardian